VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.Il rapporto pericolosamente ossessivo tra un fratello e una sorella manipolatori, che tendono a isolarsi e a trascinare gli altri nei loro giochi psicologici.
- Nominato ai 1 BAFTA Award
- 2 candidature totali
Karin Lannby
- The Mother
- (as Maria Cyliakus)
Jean Cocteau
- Narrator
- (voce)
Annabel Buffet
- Le mannequin
- (non citato nei titoli originali)
Pierre Bénichou
- Young schoolboy (Extra)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJean Cocteau was allowed a day of shooting, when Jean-Pierre Melville wasn't feeling up to the mark. Cocteau was to follow Melville's instructions exactly or do nothing at all. Eight shots in all, which were supposed to be of a summer's day but were done in midwinter in the rain.
- BlooperThe amount of blood on Paul's face changes between when he is in the shop and when he is in the taxi.
- Versioni alternativeThe song that Michael sings while sitting at the piano was deleted for the original American release.
- ConnessioniEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
- Colonne sonoreConcerto in A minor for 2 violins and string orchestra (Opus 3, No. 8; RV 522)
Written by Antonio Vivaldi
Recensione in evidenza
"LES PARENTS TERRIBLES" directed by Cocteau himself : an over possessive mother and her selfish husband destroy their son's life.
"LES ENFANTS TERRIBLES" directed by Jean -Pierre Melville: a sister and a brother tear each other in pieces .The sister is Nicole Stephane whose performance is quite impressive ,and she rises to the occasion when it comes to portray such a terrifying character (Cocteau lines are mysterious and threatening,"she didn't marry him for love , neither she did for his money but she did it for his death")When we make acquaintance with them,they live under a "carapace" and their mother -soon to die- is no more alive than Mrs Bates in "psycho" .Around them,a young man and a young girl who will be no more than puppets in their hands (mainly Elisabeth's (Stephane))Halfway between cinema and theater -but as when Cocteau himself directed- we never feel we are watching a filmed stage production.The dialogue is weird,now childlike ,now intriguing,often bewildering ,always brilliant with terrific lines like the one I quote above.The voice over ,which is often superfluous in other works -is here thoroughly relevant -and besides it's Cocteau's voice!-
Children who refuse to grow up?A fraid of the world outside?Youngsters fascinated by death? Incestuous relationship?
Strange how ,with the staggering exception of "la belle et la bête " ,Cocteau's movies display a gloomy cold atmosphere and a doomed fate :his "l'aigle à deux têtes" and "les parents terribles" as well as Delannoy's "l'éternel retour" and "la princesse de CLèves" or Pierre Billon's "Ruy Blas".
As for Melville,I always preferred his non-gangsters movies (this one,"le silence de la mer" "Léon Morin prêtre" ,"l'armée des ombres" ) to his thrillers (the likes of "le samouraï " or "le cercle rouge" ) which are no more than rehash of American film noirs with absurd metaphysical pretensions at that.
"LES ENFANTS TERRIBLES" directed by Jean -Pierre Melville: a sister and a brother tear each other in pieces .The sister is Nicole Stephane whose performance is quite impressive ,and she rises to the occasion when it comes to portray such a terrifying character (Cocteau lines are mysterious and threatening,"she didn't marry him for love , neither she did for his money but she did it for his death")When we make acquaintance with them,they live under a "carapace" and their mother -soon to die- is no more alive than Mrs Bates in "psycho" .Around them,a young man and a young girl who will be no more than puppets in their hands (mainly Elisabeth's (Stephane))Halfway between cinema and theater -but as when Cocteau himself directed- we never feel we are watching a filmed stage production.The dialogue is weird,now childlike ,now intriguing,often bewildering ,always brilliant with terrific lines like the one I quote above.The voice over ,which is often superfluous in other works -is here thoroughly relevant -and besides it's Cocteau's voice!-
Children who refuse to grow up?A fraid of the world outside?Youngsters fascinated by death? Incestuous relationship?
Strange how ,with the staggering exception of "la belle et la bête " ,Cocteau's movies display a gloomy cold atmosphere and a doomed fate :his "l'aigle à deux têtes" and "les parents terribles" as well as Delannoy's "l'éternel retour" and "la princesse de CLèves" or Pierre Billon's "Ruy Blas".
As for Melville,I always preferred his non-gangsters movies (this one,"le silence de la mer" "Léon Morin prêtre" ,"l'armée des ombres" ) to his thrillers (the likes of "le samouraï " or "le cercle rouge" ) which are no more than rehash of American film noirs with absurd metaphysical pretensions at that.
- dbdumonteil
- 19 ott 2003
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- Tempo di esecuzione1 ora 45 minuti
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By what name was I ragazzi terribili (1950) officially released in Canada in English?
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