VALUTAZIONE IMDb
6,1/10
1381
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.In Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.In Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.
- Candidato a 1 Oscar
- 1 candidatura in totale
Foto
Pedro Armendáriz
- Jim Redbird
- (as Pedro Armendariz)
Ed Begley
- John J. 'Johnny' Brady
- (as Edward Begley)
Lola Albright
- Candy Williams
- (non citato nei titoli originali)
Leon Alton
- Gambling Casino Patron
- (non citato nei titoli originali)
William Bailey
- Party Guest
- (non citato nei titoli originali)
George Barrows
- Barfly
- (non citato nei titoli originali)
Paul Bradley
- Party Guest
- (non citato nei titoli originali)
Chet Brandenburg
- Waiter
- (non citato nei titoli originali)
Charles D. Brown
- Judge McKay
- (non citato nei titoli originali)
Paul E. Burns
- Tooley
- (non citato nei titoli originali)
Lane Chandler
- Mr. Kelly
- (non citato nei titoli originali)
Iron Eyes Cody
- Osage Indian
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAside from a few quick shots of downtown landmarks, none of this movie was actually filmed in Tulsa. Most of the location work took place on the 10,000-acre ranch of Oklahoma Gov. Roy J. Turner in the town of Sulphur, 145 miles from Tulsa.
- BlooperAlthough the bulk of the story takes place in the early to mid-1920's, all of Susan Hayward's and Lola Albright's hairstyles and clothing, as well as those of the other female members of the cast, are strictly 1948.
- Citazioni
Jim Redbird: [to Cherry Lansing] I don't think your father would like to see you smeared with oil!
- Curiosità sui creditiOpening Card: To the governor and the people of Oklahoma our grateful appreciation for their splendid cooperation in the production of this motion picture.
- ConnessioniEdited into Quando i mondi si scontrano (1951)
Recensione in evidenza
The fine performance by Susan Hayward makes all of "Tulsa" worth watching, and the exciting finale caps it off with a bang. The tone is not always consistent, varying from serious treatment of environmental and ethical issues to the folksy, ultra-upbeat narration by Chill Wills. But Hayward is consistently interesting to watch, and the story is generally told at a good pace, with some good scenes along the way.
Hayward plays the daughter of a rancher, seeking revenge against a large oil man who caused the death of her father and the destruction of his valuable livestock. Along the way, she makes the fateful decision to beat the oil baron at his own game, which has some tumultuous consequences for her and those close to her. It's quite a good role for Hayward, and she is believable as her character first seeks justice, and then gradually starts to become what she had been fighting against.
The occasional overly-positive emphasis on the role of the oil industry is balanced out by some good efforts to discuss some of the environmental problems caused by large-scale drilling. And even though it is never stated explicitly, several of the scenes create a noticeable contrast between the simple beauty of the Oklahoma prairies and the bleak ugliness of fields filled with endless rows of oil wells.
The firefighting climax is exciting to watch, and it is a rather impressive piece of film-making as well, with believable action and visuals. Although the finale does not really resolve most of the important issues, it works well on screen.
The supporting cast is solid and likable, with Wills, Robert Preston, and Pedro Armendariz. For the most part, their characters are not fleshed out, since Hayward is the center of attention, but the other characters occasionally get their moments.
Overall, "Tulsa" is somewhat above average, with some noticeable strengths in the mix.
Hayward plays the daughter of a rancher, seeking revenge against a large oil man who caused the death of her father and the destruction of his valuable livestock. Along the way, she makes the fateful decision to beat the oil baron at his own game, which has some tumultuous consequences for her and those close to her. It's quite a good role for Hayward, and she is believable as her character first seeks justice, and then gradually starts to become what she had been fighting against.
The occasional overly-positive emphasis on the role of the oil industry is balanced out by some good efforts to discuss some of the environmental problems caused by large-scale drilling. And even though it is never stated explicitly, several of the scenes create a noticeable contrast between the simple beauty of the Oklahoma prairies and the bleak ugliness of fields filled with endless rows of oil wells.
The firefighting climax is exciting to watch, and it is a rather impressive piece of film-making as well, with believable action and visuals. Although the finale does not really resolve most of the important issues, it works well on screen.
The supporting cast is solid and likable, with Wills, Robert Preston, and Pedro Armendariz. For the most part, their characters are not fleshed out, since Hayward is the center of attention, but the other characters occasionally get their moments.
Overall, "Tulsa" is somewhat above average, with some noticeable strengths in the mix.
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Dettagli
Botteghino
- Budget
- 1.158.035 USD (previsto)
- Tempo di esecuzione1 ora 30 minuti
- Proporzioni
- 1.37 : 1
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By what name was Tulsa terra di fuoco (1949) officially released in India in English?
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