VALUTAZIONE IMDb
6,8/10
2846
LA TUA VALUTAZIONE
Risentita per la sua vita in una piccola città, una donna sposata pianifica di scappare con un ricco uomo d'affari.Risentita per la sua vita in una piccola città, una donna sposata pianifica di scappare con un ricco uomo d'affari.Risentita per la sua vita in una piccola città, una donna sposata pianifica di scappare con un ricco uomo d'affari.
- Candidato a 1 Oscar
- 1 candidatura in totale
Joel Allen
- Minister
- (non citato nei titoli originali)
Gail Bonney
- Woman
- (non citato nei titoli originali)
Frances Charles
- Miss Elliott
- (non citato nei titoli originali)
James Craven
- Man with Photographs
- (non citato nei titoli originali)
Ann Doran
- Edith Williams
- (non citato nei titoli originali)
June Evans
- Woman
- (non citato nei titoli originali)
Bess Flowers
- Secretary
- (non citato nei titoli originali)
Hal Gerard
- Waiter
- (non citato nei titoli originali)
Creighton Hale
- Townsman with Glasses
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizBette Davis thought Joseph Cotten was all wrong for the role of her husband, saying: "He's adorable. What in the world would she leave him for?"
- BlooperPrior to visiting lawyer's office, Rosa wipes off all her make-up, then is seen wearing bright lipstick during a close-up in waiting room, which immediately disappears for rest of scene.
- Citazioni
Rosa Moline: What a dump!
- Curiosità sui creditiThe film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death.
- ConnessioniFeatured in AFI Life Achievement Award: A Tribute to Bette Davis (1977)
Recensione in evidenza
I have seen this film many times and it never fails to get me in. I am also aware of all the negative reviews it has received with plenty of trash talk using terms such as 'banal', 'overblown' and 'incredibly artificial'. But one description is definitely a backhanded compliment "One of the most enjoyable bad movies ever made".
Anyway, who cares about all that, beauty is in the eye of the beholder after all.
Recently - instead of getting a life - I watched three Bette Davis movies in one weekend: "All About Eve", "The Letter" and "Beyond the Forest". She was different in each one. Bette Davis had such a distinctive personality that it would be easy to think she just played herself in film after film, but not so. Her Rosa Moline in "Beyond the Forest" is a one-off; I don't think she ever played any other role that way again. Some say she was sending herself up. Apparently she didn't want to play the part and maybe her bad mood helped shape her character.
I couldn't help thinking of "Madam Bovary" as I watched this film about a woman who leaves her husband to chase her dream. In Madam Bovary's case the dream was a romantic one; in Rosa's, the dream is more superficial; in both cases the dream turns into a nightmare.
Rosa is married to the nice Doctor Lewis Moline (Joseph Cotton), but to her he is just poor and boring. Lewis is the respected doctor in the Wisconsin mill town where they live. Rosa latches onto Neil Latimer (David Brian), a rich businessman from Chicago, and plans to dump Lewis. He is about the only person in town who can't see through her, even their young Indian maid, Jenny (Dona Drake), has her measure. The scenes between Rosa and Jenny are very funny - the film needed a light touch to relieve the angst. It all ends in tears of course, played out in the flickering light of the massive incinerator that dominates the town.
Bette Davis thought she was too old for the part, but doesn't that make her character just that much more pathetic? She feels life has passed her by, and she is making a last desperate grab for what she thinks she deserves.
Much of the film was shot on location and has a rich look. Max Steiner contributed a powerful score, incorporating the melody "Chicago"; the theme for Rosa's yearning. His music actually has sympathy for Rosa; it understands her, even as it accompanies her to the inevitable tragedy.
"Beyond the Forest" is a movie where everything is larger than life, including the emotions. I still think it is fantastic cinema.
Anyway, who cares about all that, beauty is in the eye of the beholder after all.
Recently - instead of getting a life - I watched three Bette Davis movies in one weekend: "All About Eve", "The Letter" and "Beyond the Forest". She was different in each one. Bette Davis had such a distinctive personality that it would be easy to think she just played herself in film after film, but not so. Her Rosa Moline in "Beyond the Forest" is a one-off; I don't think she ever played any other role that way again. Some say she was sending herself up. Apparently she didn't want to play the part and maybe her bad mood helped shape her character.
I couldn't help thinking of "Madam Bovary" as I watched this film about a woman who leaves her husband to chase her dream. In Madam Bovary's case the dream was a romantic one; in Rosa's, the dream is more superficial; in both cases the dream turns into a nightmare.
Rosa is married to the nice Doctor Lewis Moline (Joseph Cotton), but to her he is just poor and boring. Lewis is the respected doctor in the Wisconsin mill town where they live. Rosa latches onto Neil Latimer (David Brian), a rich businessman from Chicago, and plans to dump Lewis. He is about the only person in town who can't see through her, even their young Indian maid, Jenny (Dona Drake), has her measure. The scenes between Rosa and Jenny are very funny - the film needed a light touch to relieve the angst. It all ends in tears of course, played out in the flickering light of the massive incinerator that dominates the town.
Bette Davis thought she was too old for the part, but doesn't that make her character just that much more pathetic? She feels life has passed her by, and she is making a last desperate grab for what she thinks she deserves.
Much of the film was shot on location and has a rich look. Max Steiner contributed a powerful score, incorporating the melody "Chicago"; the theme for Rosa's yearning. His music actually has sympathy for Rosa; it understands her, even as it accompanies her to the inevitable tragedy.
"Beyond the Forest" is a movie where everything is larger than life, including the emotions. I still think it is fantastic cinema.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.300.000 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.37 : 1
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