VALUTAZIONE IMDb
7,5/10
6014
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA man dreams of revenge when he suspects his wife is unfaithful.A man dreams of revenge when he suspects his wife is unfaithful.A man dreams of revenge when he suspects his wife is unfaithful.
- Regia
- Sceneggiatura
- Star
Al Bridge
- House Detective
- (as Alan Bridge)
Abdullah Abbas
- Concert Attendee
- (non citato nei titoli originali)
Pati Behrs
- Minor Role
- (non citato nei titoli originali)
George Beranger
- Maître d'hôtel
- (non citato nei titoli originali)
Evelyn Beresford
- Madame Pompadour
- (non citato nei titoli originali)
Georgia Caine
- Dowager in Concert Box
- (non citato nei titoli originali)
James Carlisle
- Concert Attendee
- (non citato nei titoli originali)
Harry Carter
- Reporter
- (non citato nei titoli originali)
Bill Cartledge
- Page Boy
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe camera zooms to a big close-up of Sir Rex Harrison's left eye just before fading to each of Alfred De Carter's infidelity fantasies. Harrison happened to be blind in that eye, the result of childhood measles.
- BlooperThe "recording machine" Rex Harrison was trying to use in his fantasy was not a recording machine at all but a Garrard RC-100 flip-over 1938 record changer.
- Citazioni
Alfred: Have you ever heard of Russian Roulette?
Daphne De Carter: Why, certainly. I used to play it all the time with my father.
Alfred: I doubt that you played Russian Roulette all the time with your father!
Daphne De Carter: Oh, I most certainly did. You play it with two decks of cards, and...
Alfred: That's Russian Bank. Russian Roulette's a very different amusement which I can only wish your father had played continuously before he had you!
- ConnessioniEdited into Il caso Myra Breckinridge (1970)
- Colonne sonoreFrancesca da Rimini, Opus 32
(1876) (uncredited)
Music by Pyotr Ilyich Tchaikovsky (as Peter Ilystch Tchaikowski)
Played during the opening credits, at the concert and often in the score
Recensione in evidenza
Unfaithfully Yours is a step down from his great masterpieces, Christmas in July, The Lady Eve, Sullivan's Travels, Hail the Conquering Hero, and Miracle at Morgan's Creek (I don't think I forgot any; I've seen all of his films which are now thought of as important except Palm Beach Story; I also haven't seen his film about Louis Pasteur or his final film, the one with Betty Grable, The Beautiful Blonde from Bashful Creek or some such title), but it is masterful nonetheless. Sturges' script is exquisite - it has one of the most unique structures I've ever come upon, which I will not ruin for any of you. It's also quite hilarious, as we can expect from the greatest comedy director of all times, American or foreign.
There are a couple of problems, though. The situation and structure are brilliant, but the main character, while we can understand his mental anguish, becomes too mean as the picture progresses. As much as he seemed to love his wife in the first act, it is difficult to believe, even under the circumstances, that he would be that cruel towards her. Even if I did buy his awful temper (this guy's worse than Othello), it really is hard to forgive him for being such a tremendous *sshole when he comes around at the end. The film also suffers from what has to be the longest extended slapstick sequence in film history. It starts out great, especially the bit with the phone operator, but as the guy breaks more and more stuff, it just gets old. Also, with the telephone bit, the fourth time was the charm - it got a big laugh from me, but the fifth time was really too much. All and all, despite these criticisms, it still comes off as a pretty great and memorable film from a true master. 9/10.
There are a couple of problems, though. The situation and structure are brilliant, but the main character, while we can understand his mental anguish, becomes too mean as the picture progresses. As much as he seemed to love his wife in the first act, it is difficult to believe, even under the circumstances, that he would be that cruel towards her. Even if I did buy his awful temper (this guy's worse than Othello), it really is hard to forgive him for being such a tremendous *sshole when he comes around at the end. The film also suffers from what has to be the longest extended slapstick sequence in film history. It starts out great, especially the bit with the phone operator, but as the guy breaks more and more stuff, it just gets old. Also, with the telephone bit, the fourth time was the charm - it got a big laugh from me, but the fifth time was really too much. All and all, despite these criticisms, it still comes off as a pretty great and memorable film from a true master. 9/10.
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- Unfaithfully Yours
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- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Proporzioni
- 1.33 : 1
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By what name was Infedelmente tua (1948) officially released in India in English?
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