Macbeth, il Thane di Glamis, riceve una profezia da un trio di streghe che un giorno diventerà re di Scozia. Consumato dall'ambizione e spinto all'azione dalla moglie, Macbeth uccide il suo ... Leggi tuttoMacbeth, il Thane di Glamis, riceve una profezia da un trio di streghe che un giorno diventerà re di Scozia. Consumato dall'ambizione e spinto all'azione dalla moglie, Macbeth uccide il suo re e prende il trono per sé.Macbeth, il Thane di Glamis, riceve una profezia da un trio di streghe che un giorno diventerà re di Scozia. Consumato dall'ambizione e spinto all'azione dalla moglie, Macbeth uccide il suo re e prende il trono per sé.
- Premi
- 1 candidatura in totale
Trama
Lo sapevi?
- QuizLaurence Olivier wanted to follow up Enrico V (1944) with a film version of "Macbeth", but decided against it because Orson Welles' version would reach theaters first. Olivier opted to make his film of Amleto (1948) instead, which went on to win him Academy Awards for Best Picture and Best Actor.
- BlooperDuncan and his men renew their baptismal vows with a prayer composed by Pope Leo XIII in 1884. While this is technically an anachronism, it should be remembered that William Shakespeare's plays are themselves are full of similar anachronisms, therefore this can be seen as a stylistic tribute that Shakespeare himself might have appreciated.
- Citazioni
Macbeth: Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day; to the last syllable of recorded time; and all our yesterdays have lighted fools the way to dusty death. Out, out, brief candle! Life's but a walking shadow; a poor player that struts and frets his hour upon the stage, and then is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.
- Versioni alternativeThe uncut version of 107 minutes length has dialogue with full Scottish accents, while the more common originally released version of 89 minutes, while still making use of Scotch accents, has long stretches of redubbed, unaccented dialogue.
- ConnessioniEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
The most noticeable feature of this adaptation is how dark everything is. Almost every scene and every set has barely enough light to let us see what is happening, accentuating the cheerless nature of the plot itself. Sometimes this is effective, but at other times it might have been better to give the viewer a break from the gloom, and to put the focus more on the characters and a little less on the atmosphere.
Macbeth the character is portrayed here in a rather different light than usual. He comes across as rather helpless and not in control of his fate, instead of as the usual stronger Shakespearean tragic hero whose strength is undone by his own tragic flaw. While the three witches seem more in control of the action than does Macbeth himself, most of the apparitions they create are not shown, with the focus being more on Macbeth's reaction. The text itself is also quite different in places, with some lines being switched to new or different characters, and many scenes re-arranged. In all of these respects, viewers will have varying opinions as to how well these decisions work.
While the result is certainly not a masterpiece like some of Welles' other films, his creative influence is clear throughout. Welles fans and Shakespeare fans should definitely see this adaptation and decide for themselves.
- Snow Leopard
- 11 giu 2001
- Permalink
I più visti
Dettagli
Botteghino
- Budget
- 900.000 USD (previsto)
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Proporzioni
- 1.37 : 1