Tre fuorilegge in fuga rischiano la loro libertà e la loro vita per riportare un neonato alla civiltà.Tre fuorilegge in fuga rischiano la loro libertà e la loro vita per riportare un neonato alla civiltà.Tre fuorilegge in fuga rischiano la loro libertà e la loro vita per riportare un neonato alla civiltà.
Pedro Armendáriz
- Pedro Roca Fuerte
- (as Pedro Armendariz)
Gertrude Astor
- Saloon Girl
- (non citato nei titoli originali)
Nora Bush
- Townswoman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJohn Wayne was badly sunburned while filming this movie and was briefly hospitalized.
- BlooperShortly after the three riders enter the desert Hightower discovers that Pedro's water bag is empty and throws it away. As they ride away in a long shot, the water bag is still visible on Pedro's horse.
- Citazioni
Pedro "Pete' Roca Fuerte: [dying] Hey, Bob... I just remembered what tomorrow is. Feliz Navidad.
- Colonne sonoreBeautiful River (Shall We Gather at the River)
(uncredited)
Written by Robert Lowry and Charles Ives
Performed by Harry Carey Jr.
Recensione in evidenza
I'm surprised this one doesn't get more accolades. To me it's really one of the best westerns ever made. This is one of those films that proves that the western genre can produce true art. The filming, the performances -- this is one of Wayne's best
it's quite overlooked that this guy could act: The desperation, the confusion, the exhaustion, it's all just amazing.
It's more of a character study than anything else, with the characters facing desperate thirst, an aching empty land, relentless sun, and the movie shows how these men deal with it, all the while they are attempting to care for a child. Something they are ill equipped to do.
There are clear religious elements to the movie, and they make this all the more compelling -- these are not good men, but they have a sense of honor and faith, in their own way. They can't break their word to a dying woman, to care for her child. Their faith in each other is touching.
It's gritty, yet very tender, a strange juxtaposition, like the beauty and cruelty of the desert.
See the movie if you can.
It's more of a character study than anything else, with the characters facing desperate thirst, an aching empty land, relentless sun, and the movie shows how these men deal with it, all the while they are attempting to care for a child. Something they are ill equipped to do.
There are clear religious elements to the movie, and they make this all the more compelling -- these are not good men, but they have a sense of honor and faith, in their own way. They can't break their word to a dying woman, to care for her child. Their faith in each other is touching.
It's gritty, yet very tender, a strange juxtaposition, like the beauty and cruelty of the desert.
See the movie if you can.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Il texano - In nome di Dio
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.243.000 USD (previsto)
- Tempo di esecuzione1 ora 46 minuti
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was In nome di Dio (1948) officially released in India in English?
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