VALUTAZIONE IMDb
7,5/10
22.583
LA TUA VALUTAZIONE
Una condanna femminile autostoppista trascina Mike Hammer in un micidiale vortice di intrighi, ruotando attorno a una misteriosa "grande cosa".Una condanna femminile autostoppista trascina Mike Hammer in un micidiale vortice di intrighi, ruotando attorno a una misteriosa "grande cosa".Una condanna femminile autostoppista trascina Mike Hammer in un micidiale vortice di intrighi, ruotando attorno a una misteriosa "grande cosa".
- Premi
- 1 vittoria e 1 candidatura in totale
Marian Carr
- Friday
- (as Marion Carr)
Mady Comfort
- Nightclub Singer
- (as Madi Comfort)
Trama
Lo sapevi?
- QuizThe Kefauver Commission, a federal unit dedicated to investigating corrupting influences in the 1950s, singled this out as 1955's number one menace to American youth. Because of this, Robert Aldrich felt compelled to conduct a writing campaign for the free speech rights of independent filmmakers.
- BlooperAt the beginning, Christina (Cloris Leachman) is shown running at the side of the highway, but the shots of only her feet show her running along the painted center line of the highway.
- Citazioni
Mike Hammer: You're never around when I need you.
Velda: You never need me when I'm around.
- Curiosità sui creditiThe opening credits scroll down instead of the usual up, resulting in needing to read them bottom to top.
- Versioni alternativeUntil 1997, all known copies in circulation of "Kiss Me Deadly" ended rather abruptly: the wounded Mike Hammer stumbling through the beach house looking for his partner Velda, and then there's a couple of brief shots of the house exploding and burning, with "The End" superimposed on the final shot. The music is cut off instead of fading out, and the screen turns black; it looks like Mike and Velda died in the blaze.
- ConnessioniEdited into American Cinema: Film Noir (1995)
- Colonne sonoreRather Have the Blues
Sung by Nat 'King' Cole
Written by Frank De Vol (uncredited)
[Played on the car radio during the opening title card and credits]
Recensione in evidenza
Kiss Me Deadly is an absolute joy to watch. There are no big-name stars, the director has never been mentioned in the same breath as a Hitchcock or Huston, and it's basically a simple Mickey Spillane story. How its presented on the screen is the genius of the picture. Right from the opening credit sequence, you know you're in for something fresh and innovative. This is a must see for fans of Quentin Tarantino, and there is a curious box containing a certain substance that glows when opened (Pulp Fiction, anyone?). It is one of the finest of the "film noir" genre, predominantly because of the moody black and white photography and its amazing 'timeless' appeal (I would rank it alongside Touch of Evil). It's great to know the film has been "rediscovered", and be sure to see a copy of the film containing 2 different versions of the mind-boggling final sequence shot at the time.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Kiss Me Deadly
- Luoghi delle riprese
- Clay Street, Bunker Hill, Downtown, Los Angeles, California, Stati Uniti(Mike parks his Corvette and takes the back steps up to the Hillcrest Hotel)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 410.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 726.000 USD
- Lordo in tutto il mondo
- 952.000 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Un bacio e una pistola (1955) officially released in India in English?
Rispondi