Una vampata d'amore

Titolo originale: Gycklarnas afton

1953
VM16
1h 33min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Albert ama Anna e la confusa vita da circo ma è attratto dalla sicurezza piccolo borghese di Agda, la moglie abbandonata. Quando il circo approda nella città di Agda, Albert, venuto a sapere... Leggi tuttoAlbert ama Anna e la confusa vita da circo ma è attratto dalla sicurezza piccolo borghese di Agda, la moglie abbandonata. Quando il circo approda nella città di Agda, Albert, venuto a sapere del tradimento di Anna, medita un gesto estremo.Albert ama Anna e la confusa vita da circo ma è attratto dalla sicurezza piccolo borghese di Agda, la moglie abbandonata. Quando il circo approda nella città di Agda, Albert, venuto a sapere del tradimento di Anna, medita un gesto estremo.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

7,4/10

7571

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 1 candidatura in totale

Foto118

+ 111

Interpreti principali32

Modifica

Åke Grönberg

Albert Johansson

Harriet Andersson

Anne

Hasse Ekman

Frans

Anders Ek

Frost

Gudrun Brost

Alma

Annika Tretow

Agda

Erik Strandmark

Jens

Gunnar Björnstrand

Mr. Sjuberg

Curt Löwgren

Blom

Kiki

The Dwarf

Lissi Alandh

Theatre Actress
(non citato nei titoli originali)

Julie Bernby

Ropewalker
(non citato nei titoli originali)

John W. Björling

Greven - Circus Artist
(non citato nei titoli originali)

Naemi Briese

Mrs. Meijer - Circus Artist
(non citato nei titoli originali)

Michael Fant

Fair Anton
(non citato nei titoli originali)

Karl-Axel Forssberg

Theatre Actor
(non citato nei titoli originali)

Åke Fridell

Artillery Officer
(non citato nei titoli originali)

Erna Groth

Theatre Actress
(non citato nei titoli originali)

Regia
- Ingmar Bergman
Sceneggiatura
- Ingmar Bergman
Tutti gli interpreti e le troupe
Produzione, botteghino e altro su IMDbPro

Trama

Modifica

Lo sapevi?

Modifica

Quiz
Bergman's first collaboration with cinematographer Sven Nykvist.

Blooper
When Anne is at the theatre and standing in the middle of the stage, the orientation of how she holds her parasol changes from the long shot to the medium shot.

Citazioni
Frost: I had a dream this afternoon while I slept off the booze. I dreamt that Alma came to me and said, "Poor Frost, you look tired and sad. Wouldn't you like to rest a while?" "Yes," I said. "I'll make you small as a little unborn child," she said. "You can climb into my womb and sleep in peace." So I did as she said and crept inside her womb and I slept there so soundly and peacefully, rocked to sleep as if in a cradle. Then I got smaller and smaller, until at last I was just a tiny seed, and then I was gone.

Versioni alternative
A scene in the first half of the film, in which the circus troupe parades into town to publicize their show, is unaccountably missing from the American version. In this scene, one furthering the film's theme of humiliation, the local police confiscate the performers' horses, which forces them to pull the heavy wagons back to their camp themselves.

Connessioni
Edited into Short cuts från Sandrews (1999)

Recensioni degli utenti38

Lascia una recensione

Recensione in evidenza

10/10

There is not a wasted frame

I first, and probably, last saw this wonderful film over 40 years ago. It has not been easy to catch again and then I think that when the time since you have last seen a favourite gets too long you begin to have concerns as to whether it will live up to your memory of it. There was particular concern here because, although in the 60s and 70s I would bore people by going on about this film whenever talk of Bergman's more well thought of films came up, this was never considered to be one of his best. Having just watched it again I am blown away all over again. I cannot believe how much of the fantastic visuals I remembered and the extent to which the power of the film is still so affecting. There is not a wasted frame, this is pure cinema throughout. The acting is stupendous, the cinematography outstanding and the bitter sweet tale so seemingly simple, yet so devastatingly all consuming. I know Bergman has made more poetic films and more profound ones but I still think this one is hard to beat for so eloquently presenting those basic issues that matter to everyone.