La voce nella tempesta

Great literature enriches the soul. The Brontes created great literature because they invented so much of what it means. They invented ways of observing the soul that hadn't already been mined by Shakespeare. If you want a great film that celebrates, explores, exploits Bronte, you can't escape the reality that you'd have to stretch film the same way Charlotte stretched perspective.

Didn't happen here. Olivier seemed good enough at what he knew (stage acting) but that isn't bendable to great experiences in film. Never was.

But you might want to watch this for another reason. The dialog and acting are ordinarily conceived. But the cinematography is extraordinary, from the very special Greg Toland. Greg DID stretch cinema in the way we mentioned. His greys have depth. When he photographs the heath, we feel the atmosphere as if the mist had emotion.

The interiors of the house are magnificent in design. And Toland's lighting and framing are so haunting.

This film is why Orson Welles wanted him on "Citizen Kane." You need to watch it to see where much of the disembodied ghost-observer comes from. With Toland, Cathy defines what we see and how.

But the actual story? Go read it instead.

Ted's Evaluation -- 2 of 3: Has some interesting elements.