And I do emphasize cheese! In spite of that, I would not say to stay away.
At any rate, the "four girls in white" who sign up for nursing school are Norma Page (Florence Rice), her kid sister Pat (Ann Rutherford), single mom Mary Forbes (Mary Howard), and Gertie (Una Merkel) - Una always provides the comic relief, and she is a bright spot in the picture.
Although the title talks about four girls, this is primarily Norma's journey, as she enters nursing school to land a doctor for a husband. It isn't long until she sets her sights on brilliant physician Stephen Melford (Alan Marshall). However, her constantly nagging him about going into private practice where he could make a mint drives a wedge between them. Then she turns to rich playboy Bob Maitland , who is a patient in the hospital. Complications ensue as Norma slowly learns the value of self sacrifice and the folly of selfishness, which in her case, has at least one tragic consequence.
The bad? Nursing in 1939 looks remarkably like housekeeping - doing laundry, feeding patients, washing dishes, taking temperatures...oh, and if something interesting happens, call a doctor, who is ALWAYS a MAN. And the pay is appropriately low because in 1939 all nurses (at least in this movie) are women. Being a RN today looks nothing like this, as RNs are tasked with work far more complex. To give the film credit, this probably IS what nursing looked like in 1939, but that doesn't mean I have to like it!
The ugly? Before Louis B. Mayer finally ruined Buddy Ebsen's career, he gave him several B- roles at MGM, in this case that of disorderly orderly "Express". He is just not funny and why does poor Una Merkel have to always fall for the career runt of the litter? She's so cute and perky! Also, one of Norma's first unselfish deeds on her road to righting her moral compass is to... fix her naive inexperienced baby sister up with that wolf Maitland she was trying to matrimonially nab?!?? Yikes! How long before baby sister is a sadder but wiser girl, wedding ring or not? Finally, this film is obviously trying to tap the successful Kildare series of the same era, but Alan Marshall as part Errol Flynn and part Kildare just doesn't cut it, and I guess Miss Tobias as the head nurse who is battle axe on the outside, heart of gold on the inside, is supposed to be filling Lionel Barrymore's shoes, but she just doesn't do it for me either.
The good? The film does have some poignant melodrama and an irreversible tragic turn I just was not expecting from an MGM B of the era. Plus there is a dynamite action filled finale. I'd say on the whole it is a take it or leave it proposition.
