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7,0/10
6940
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaNewlyweds Gil and Lana Martin try to establish a farm in the Mohawk Valley but are menaced by Indians and Tories as the Revolutionary War begins.Newlyweds Gil and Lana Martin try to establish a farm in the Mohawk Valley but are menaced by Indians and Tories as the Revolutionary War begins.Newlyweds Gil and Lana Martin try to establish a farm in the Mohawk Valley but are menaced by Indians and Tories as the Revolutionary War begins.
- Candidato a 1 Oscar
- 1 candidatura in totale
Jack Pennick
- Amos Hartman
- (as J. Ronald Pennick)
Trama
Lo sapevi?
- QuizThe battle so vividly described by Gil Martin (Henry Fonda) is the bloody Battle of Oriskany, which had one of the highest casualty rates of any battle in the war. It took place on August 6, 1777, and involved only North American troops--Tory, Patriot and Indian--and was part of what became the overall Battle of Saratoga, as the Tory and Indian troops were commanded by a subordinate of Gen. "Gentleman Johnny" Burgoyne. Gen. Nicholas Herkimer, who was wounded in the battle, did not receive adequate medical attention. His leg became infected and he died ten days later from blood loss after amputation on August 16. He was 49. Despite Gil's claim that the colonials gave them a "licking," the Tories and Indians suffered only 150 casualties while the Patriots sustained 450.
- BlooperThe real William Caldwell was not killed in the Mohawk Valley assault on the fort as suggested by the film, but lived to fight on the British side during the War of 1812.
- Citazioni
Reverend Rosenkrantz: Any man failing to report to duty will be promptly hanged. Amen.
- Curiosità sui creditiOpening credits prologue: 1776 AT THE BORST HOME IN ALBANY, NEW YORK
- ConnessioniEdited into March On, America! (1942)
- Colonne sonoreCountry Gardens
(uncredited)
Traditional 18th Century dance
Arranged by Edward B. Powell and Conrad Salinger
Recensione in evidenza
Other comments on this film quite well echo my sentiments: John Ford once again exhibits his mastery of the medium, with a minimum of the sentimentality to which he sometimes succumbed; a very young and handsome Henry Fonda wonderfully embodies an ordinary man virtually forced to perform feats of extraordinary heroism; Claudette Colbert, although she seems out of her usually sophisticated element, really cannot be faulted, especially when one considers the Hollywoodized glamor of her makeup and costuming; and Edna May Oliver, heading Ford's customarily astutely chosen supporting cast, almost steals the picture.
But, to my eyes, it is the unusually beautiful Technicolor cinematography by Bert Glennon and Ray Rennahan (the latter being the credited cinematographer on the first feature-length film in three-strip Technicolor, 1935's "Becky Sharp") who deserve the most accolades. Their work simply glows and has that special crispness characteristic of certain early Technicolor films (many of which bore the Twentieth Century Fox label, as it happens.) No doubt, working on outdoor locations with the cumbersome equipment and lighting requirements involved in the use of the Technicolor process at that time, not to mention the lengendarily dictatorial control of the Technicolor Corporation's czarina, Madame (Natalie) Kalmus, and her frequent associate, Henri Jaffa, Messrs. Glennon and Rennahan managed to accomplish one of 1939's finest achievements in color cinematography. With Alfred Newman's fine musical score and all of the other first-class production values lavished on this stirring tale, "Drums Along the Mohawk" deserves a place among the best recreations of those remarkable personal stories that were part of this newly emerging nation.
I am not aware if the available VHS tape transfer does justice to the prints struck from the original negative, but American Movie Classics occasionally shows this title (mercilessly chopped up with endless commercials, etc., as is now their wont) in a version that makes one realize why the invention of color television broadcasting just had to happen!
But, to my eyes, it is the unusually beautiful Technicolor cinematography by Bert Glennon and Ray Rennahan (the latter being the credited cinematographer on the first feature-length film in three-strip Technicolor, 1935's "Becky Sharp") who deserve the most accolades. Their work simply glows and has that special crispness characteristic of certain early Technicolor films (many of which bore the Twentieth Century Fox label, as it happens.) No doubt, working on outdoor locations with the cumbersome equipment and lighting requirements involved in the use of the Technicolor process at that time, not to mention the lengendarily dictatorial control of the Technicolor Corporation's czarina, Madame (Natalie) Kalmus, and her frequent associate, Henri Jaffa, Messrs. Glennon and Rennahan managed to accomplish one of 1939's finest achievements in color cinematography. With Alfred Newman's fine musical score and all of the other first-class production values lavished on this stirring tale, "Drums Along the Mohawk" deserves a place among the best recreations of those remarkable personal stories that were part of this newly emerging nation.
I am not aware if the available VHS tape transfer does justice to the prints struck from the original negative, but American Movie Classics occasionally shows this title (mercilessly chopped up with endless commercials, etc., as is now their wont) in a version that makes one realize why the invention of color television broadcasting just had to happen!
- gregcouture
- 25 giu 2003
- Permalink
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 10.360 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La più grande avventura (1939) officially released in India in English?
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