Crociera d'amore

"Trade Winds" has some enjoyable moments. This Tay Garnett-directed independent feature has the beautiful and talented Joan Bennett as a murderess on the run in the Orient pursued by a skirt-chasing former policeman played by a very miscast Fredric March. The film veers from whodunit, to travelogue, to screwball comedy, to romance, to courtroom drama without much consistency. Because the major emphasis is on comedy and romance, the film needs the versatility of a Fred MacMurray in the lead. Although a fine actor, March is out of his element in a role that requires a lighter touch.

The usually reliable Ralph Bellamy, who excelled as the proverbial light comic "other man" in classics like "His Girl Friday," "The Awful Truth," and "Brother Orchid," ends up as an oafish buffoon of a policeman of the type often played by Edgar or Tom Kennedy. His performance clashes with March's and at times he seems out of an alternative universe. Although Ann Sothern has a very enjoyable drunk scene, she's underutilized, and the usually reliable Thomas Mitchell is given little to do but growl as a police commissioner... wasted in a role than would have usually gone to a William Frawley.

The film's inconsistencies are likely the fault of writer/director Tay Garnett, who had a lengthy but inconsistent career resume' with at least one masterpiece ("The Postman Always Rings Twice") to his credit. He did helm some films with similar elements to "Trade Winds": "One Way Passage" with Powell and Francis, "Seven Sinners" with Dietrich and Wayne, and "China Seas" with Gable and Harlow, but unfortunately Garnett never developed a consistent style, and by the 1950s he was directing TV Western series episodes like "Death Valley Days" and "Bonanza". With a steadier hand like a Howard Hawks at the helm, and more appropriate cast choices "Trade Winds" may have been a minor classic, but now it's just a curiosity. By the way, two interesting sidebars: Dorothy Parker (of Algonquin Round Table fame) was a collaborator on the script and the enigmatic Dorothy Comingore appears briefly here (under the name Linda Winters) several years before her triumph in "Citizen Kane."