Il sepolcro indiano

Titolo originale: Das indische Grabmal

1938
1h 34min

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Theo Lingen, Gustav Diessl, Philip Dorn, Richard Eichberg, Kitty Jantzen, La Jana, Thea von Harbou, and Theo Matejko in Il sepolcro indiano (1938)

Aggiungi una trama nella tua linguaBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his ... Leggi tuttoBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his fiancée Irene and his assistant will get involuntarily involved having to fight for their ... Leggi tuttoBack in India after what happened at first part Der Tiger von Eschnapur, Maharadscha Chandra is ready to carry on his well-planned vengeance, in which German architect Peter Fürbringer, his fiancée Irene and his assistant will get involuntarily involved having to fight for their lives amidst a revolt fueled by traitor Prinz Ramigani.

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VALUTAZIONE IMDb

6,2/10

133

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Vedi le informazioni sulla produzione su IMDbPro

Quiz
The original choice for the role of Peter Fürbringer, Architekt, finally played by Hans Stüwe, was the actor Hans Söhnker.

Versioni alternative
In 1952 a one part version of the film was rereleased titled "Indische Rache" Run Time:100 min.

Connessioni
Alternate-language version of Le tombeau hindou (1938)

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my first experience of beauty

I saw this film when I was 10yrs old, just before WWII. Even as a child I thought La Jana was the most beautiful human being that I ever had seen. I would love to see this film again, but I don't know how or where to find it. Any help will be most appreciated. I remember how terribly sad I and many relatives were when the death of La Jana was announced in late 1940. I recently read that La Jana was selected for the part of LolaLola in Blau Engel but that Sternberg's wife who was a friend of Dietrich managed to give the part to Dietrich, thus changing cinematic history. In retrospect it seems that Dietrich rather than the imperious La Jana was a better choice for the part, even at the expense of beauty.