VALUTAZIONE IMDb
7,3/10
29.607
LA TUA VALUTAZIONE
Un investigatore della War Crimes Commission si reca nel Connecticut per trovare un famigerato nazista.Un investigatore della War Crimes Commission si reca nel Connecticut per trovare un famigerato nazista.Un investigatore della War Crimes Commission si reca nel Connecticut per trovare un famigerato nazista.
- Candidato a 1 Oscar
- 2 candidature totali
David Bond
- Student
- (non citato nei titoli originali)
John Brown
- Passport Photographer
- (non citato nei titoli originali)
Nancy Evans
- Undetermined Role
- (non citato nei titoli originali)
Adolph Faylauer
- War Crimes Commision Member
- (non citato nei titoli originali)
Fred Godoy
- Undetermined Role
- (non citato nei titoli originali)
Theodore Gottlieb
- Fairbright
- (non citato nei titoli originali)
Joseph Granby
- Undetermined Role
- (non citato nei titoli originali)
Ethan Laidlaw
- Todd
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThis was the first mainstream American movie to feature footage of Nazi concentration camps following World War II.
- BlooperTwo palm trees are visible in the first scene depicting the fictional Connecticut town.
- Citazioni
Mr. Wilson: Well, who but a Nazi would deny that Karl Marx was a German because he was a Jew?
- Versioni alternativeAlso available in a computer-colorized version.
- ConnessioniEdited into Ninja the Mission Force: Citizen Ninja (2012)
Recensione in evidenza
The Stranger was directed by Orson Welles but he did not adapt it to the screen. Although this is seen as a detraction from the whole by some who have seen it, I believe that Welles' deft directing and penetrating acting is what makes this a Welles film for my taste. He was never a facile actor - but he uses his usual wooden countenance here to the advantage of this role.
Another thing that fascinates me is the underrated status of this engrossing thriller. The action and suspense builds and builds to a peak of excitement that few movies can reach without lots of special effects and Foley work these days. This movie fascinates at every turn without ever seeming as if we are watching art. But art it was in Welles' direction and gentle handling of the unravelling.
Edward G. Robinson is the subtle but welcome prize we receive from this outing. The undercurrents of the horrors that have just come before this movie was made and its actions can be seen seething within his duty to find hidden Nazis. He is methodical and intelligent, it so difficult to see the difference between Robinson the man and Robinson the actor here. He is such a talent that we often mistake his ease for something else but acting -- and of acting he was a master. Plainly seen here as a gift to all of us.
What I like about this and many other good films is how facts are revealed slowly, layer by layer.
Loretta Young was good as the innocent young girl who believes that marriage is a sacred institution, that life has a course to follow which will not be derailed and finds it hard to accept the truth of the horrors behind her marriage.
It was mildly amusing to see a very young Richard Long as the open-minded young man with whom Robinson's character confides certain facts.
I recommend it to fans of psychological thrillers, mysteries and of course, of Mr. Orson Welles. So sad that the studio heads were such disingenuous towards this utter genius of a man who deserved more earnest accolades in his life.
THE STRANGER is not glittering masterpiece but it's a hell of great story that I do not tire of watching...and seeing each piece of the puzzle fall into place.
What MORE could an intelligent person want from a movie?
Another thing that fascinates me is the underrated status of this engrossing thriller. The action and suspense builds and builds to a peak of excitement that few movies can reach without lots of special effects and Foley work these days. This movie fascinates at every turn without ever seeming as if we are watching art. But art it was in Welles' direction and gentle handling of the unravelling.
Edward G. Robinson is the subtle but welcome prize we receive from this outing. The undercurrents of the horrors that have just come before this movie was made and its actions can be seen seething within his duty to find hidden Nazis. He is methodical and intelligent, it so difficult to see the difference between Robinson the man and Robinson the actor here. He is such a talent that we often mistake his ease for something else but acting -- and of acting he was a master. Plainly seen here as a gift to all of us.
What I like about this and many other good films is how facts are revealed slowly, layer by layer.
Loretta Young was good as the innocent young girl who believes that marriage is a sacred institution, that life has a course to follow which will not be derailed and finds it hard to accept the truth of the horrors behind her marriage.
It was mildly amusing to see a very young Richard Long as the open-minded young man with whom Robinson's character confides certain facts.
I recommend it to fans of psychological thrillers, mysteries and of course, of Mr. Orson Welles. So sad that the studio heads were such disingenuous towards this utter genius of a man who deserved more earnest accolades in his life.
THE STRANGER is not glittering masterpiece but it's a hell of great story that I do not tire of watching...and seeing each piece of the puzzle fall into place.
What MORE could an intelligent person want from a movie?
- Enrique-Sanchez-56
- 24 lug 2004
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Stranger
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.034.000 USD (previsto)
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Lo straniero (1946) officially released in India in Hindi?
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