Paisà

1946
T
2h 5min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

La barriera linguistica ha conseguenze tragiche in una serie di storie non correlate durante la campagna italiana della seconda guerra mondiale.La barriera linguistica ha conseguenze tragiche in una serie di storie non correlate durante la campagna italiana della seconda guerra mondiale.La barriera linguistica ha conseguenze tragiche in una serie di storie non correlate durante la campagna italiana della seconda guerra mondiale.

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VALUTAZIONE IMDb

7,6/10

9886

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Candidato a 1 Oscar
- 10 vittorie e 2 candidature totali

Quiz
The monks in the fifth episode were authentic Franciscan monks from the Maiori convent, near Salerno.

Blooper
At approximately 1:36 (2:05 version), during Episode V, as the American Army Catholic Chaplain stands in the center of the screen discussing his two associate Army Chaplains (Protestant and Jewish) with the monks, you can see two individuals standing in the doorway behind them (they appear to be the other two Army Chaplains). In less than a minute, they suddenly disappear.

Citazioni
Captain Bill Martin - the catholic chaplain (episode V: Appennino Emiliano): I've never examined their consciences. I've never discussed this with them. I've never asked them anything, because I never felt I could judge them. I know them too well. They're good friends. Perhaps you, here mind this peace, this atmosphere of serene meditation, consider me guilty. I don't feel guilty. My conscience is clear.

Versioni alternative
Originally premiered at the Venice Film Festival on September 8, 1946 in a longer cut (running 134 minutes). Later cut to 125 minutes. The 134 min. cut has been restored from material found at the Bundesarchiv-Filmarchiv in Berlin, Germany and has premiered at the 55th Venice Film Festival in 1998.

Connessioni
Edited into Il sasso in bocca (1970)

Colonne sonore
Nobody Knows the Trouble I've Seen
(uncredited)
Traditional
Performed by Dots Johnson

Recensioni degli utenti58

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Recensione in evidenza

9/10

A Great Representation of Film & Italian History

Having seen "The Bicycle Thieves" I was aware of Italian Neo-Realism as a film movement. The film is divided up into six sections with none of the stories crossing over to the other. I wished that the film was one cohesive story but I may have felt this way because of my previous viewing of "Bicycle Thieves." I have always liked the idea of Italian Neo-realism and its ability to capture stories in a realistic way. This is a really great example of an almost documentary style of filmmaking. The cities are real and so are the people. This makes the film more interesting to watch as it is in such a natural state. The characters in each story, particularly the sections that involve children were what moved me the most. Knowing that all of these stories most likely happened at some point makes this film very powerful to see. Even when I was reading previous reviews of the film, it was obvious that many people from other countries truly connected with this film because of how realistic it is. I am lucky enough to say I never experienced any of this turmoil but I can only imagine what kind of intensity the film would bring to my own life had I related to these characters. I would say this isn't my favorite representation of Italian Neo- realism but it is a great glimpse into the history of Italy as well as the history of cinema.