Un aviatore britannico di guerra che inganna la morte deve discutere per la sua vita davanti a una corte celeste.Un aviatore britannico di guerra che inganna la morte deve discutere per la sua vita davanti a una corte celeste.Un aviatore britannico di guerra che inganna la morte deve discutere per la sua vita davanti a una corte celeste.
- Premi
- 1 vittoria e 2 candidature
Bonar Colleano
- An American Pilot
- (as Bonor Colleano)
Robert Arden
- GI Playing Snout
- (non citato nei titoli originali)
Robert Beatty
- US Crewman
- (non citato nei titoli originali)
Eric Cawthorne
- Goatherd
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first scene shot was David Niven washing up on the beach. Originally planned to fade in from black, Michael Powell decided on the spot that the effect would be too cheesy. When Jack Cardiff told him to look through the camera, Cardiff then deliberately breathed onto the lens, which fogged the glass for a few seconds until it evaporated. Powell loved the idea and had him use it for the shot.
- BlooperAfter Peter's second encounter with the Heavenly Messenger, this time in Frank's library, the doctor and June desperately attend to Peter's condition. June kneels in front of Peter and begins to giggle uncontrollably, then expertly hides herself behind Frank to avoid the camera.
- Citazioni
Doctor Frank Reeves: A weak mind isn't strong enough to hurt itself. Stupidity has saved many a man from going mad.
- Curiosità sui creditiForeword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental.
- Versioni alternativeThe US release was cut to avoid showing the naked shepherd boy in the sand dunes.
- ConnessioniFeatured in The Story of Making the Film They're a Weird Mob (1966)
- Colonne sonoreScherzo
(1842) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn
Played on a record at the Shakespeare rehearsal
Recensione in evidenza
The great talents of Michael Powell and Emeric Pressberger are noticeable in their wonderful "A Matter of Life and Death". It was part of the recent tribute to Mr. Powell that played at the Walter Reade in New York. This film, in particular, shows us one of the best British films from that, or any other era.
"A Matter of Life and Death" has a brilliant cinematography by Jack Cardiff, a man who knew how to work wonders with a camera. Particularly impressive is the contrast from the monochromatic tones given to the scenes played in heaven, and the colored ones when the action comes back to earth. This was quite a coup, and well ahead of its times. The black and white sequence that involves the long staircase where Peter and the Conductor are chatting has to be one of the most amazing things on any film.
Much has been said in this forum about the film, so our comment will be about the great acting Powell and Pressberger got out of the large, distinguished cast, who responded magnificently to the directors' guidance.
David Niven, is Peter, whose aircraft is hit and his best friend dies as a result of it. This film marked one of the highlights in Mr. Niven's career. He was an excellent film actor as he shows us in this movie. Kim Hunter is surprisingly good as June, the woman who talked to Peter as his plane was falling from the skies. As fate would have it, Peter and June fall in love at first sight.
Some of the best British film actors grace this film with their presence. Robert Coote, is Bob, the man who is admitted to heaven, but he is surprised his friend Peter never made the trip with him. An excellent star turn by Marius Goring, who as the Conductor 71 steals the film. Mr. Goring, who had worked with the directors, is one of the best things in the movie. Also, Roger Livesey, as Dr. Frank Reeves, does one of the best appearances of his career, as well as Raymond Massey, who is seen as Abraham Farlan.
"A Matter of Life and Death" is a timeless film that will always be seen with gratitude toward its creators.
"A Matter of Life and Death" has a brilliant cinematography by Jack Cardiff, a man who knew how to work wonders with a camera. Particularly impressive is the contrast from the monochromatic tones given to the scenes played in heaven, and the colored ones when the action comes back to earth. This was quite a coup, and well ahead of its times. The black and white sequence that involves the long staircase where Peter and the Conductor are chatting has to be one of the most amazing things on any film.
Much has been said in this forum about the film, so our comment will be about the great acting Powell and Pressberger got out of the large, distinguished cast, who responded magnificently to the directors' guidance.
David Niven, is Peter, whose aircraft is hit and his best friend dies as a result of it. This film marked one of the highlights in Mr. Niven's career. He was an excellent film actor as he shows us in this movie. Kim Hunter is surprisingly good as June, the woman who talked to Peter as his plane was falling from the skies. As fate would have it, Peter and June fall in love at first sight.
Some of the best British film actors grace this film with their presence. Robert Coote, is Bob, the man who is admitted to heaven, but he is surprised his friend Peter never made the trip with him. An excellent star turn by Marius Goring, who as the Conductor 71 steals the film. Mr. Goring, who had worked with the directors, is one of the best things in the movie. Also, Roger Livesey, as Dr. Frank Reeves, does one of the best appearances of his career, as well as Raymond Massey, who is seen as Abraham Farlan.
"A Matter of Life and Death" is a timeless film that will always be seen with gratitude toward its creators.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- A Matter of Life and Death
- Luoghi delle riprese
- Saunton Sands, Devon, Inghilterra, Regno Unito(beach: The Burrows)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 320.000 £ (previsto)
- Lordo in tutto il mondo
- 179.059 USD
- Tempo di esecuzione1 ora 44 minuti
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti