Heavenly Music

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Aggiungi una trama nella tua linguaA bandleader must prove he is worthy of entry into the the Hall of Music in heaven.A bandleader must prove he is worthy of entry into the the Hall of Music in heaven.A bandleader must prove he is worthy of entry into the the Hall of Music in heaven.

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VALUTAZIONE IMDb

6,2/10

346

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Vincitore di 1 Oscar
- 1 vittoria in totale

Foto7

+ 2

Interpreti principali11

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Frederick Brady

Ted Barry
(as Fred Brady)

Mary Elliott

Eric Blore

Mr. Frisbie - Public Relations

Steven Geray

Ludwig van Beethoven

Fritz Feld

Niccolò Paganini
(non citato nei titoli originali)

Halliwell Hobbes

Franz Liszt
(non citato nei titoli originali)

Elmer Jerome

Official Recorder
(non citato nei titoli originali)

Eric Mayne

Johannes Brahms
(non citato nei titoli originali)

Lionel Royce

Pyotr Tchaikovsky
(non citato nei titoli originali)

Billie 'Buckwheat' Thomas

Gabriel
(non citato nei titoli originali)

William Yetter Sr.

Richard Wagner
(non citato nei titoli originali)

Trama

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Lo sapevi?

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Quiz
Tchaikovsky scolds Ted for having used one of his melodies and then says to the Official Recorder to let him "know when that Freddy Martin checks in here (Heaven)". Freddy Martin's biggest hit was "Tonight We Love" in 1941, which heavily borrowed from Tchaikovsky's Piano Concerto Number 1 in B-flat Minor. It was such a big hit that Martin began to incorporate melodies from the classics in follow-up songs.

Citazioni
Ted Barry: Do you have any boyfriends up here? Or, could we step outside some night and cut up a cloud?
Joy: Oh, no. I couldn't do that. You see, I'm an angel.

Connessioni
Version of Una inebriante notte di ballo (1939)

Colonne sonore
Heavenly Music
Written by Sam Coslow
Sung by Frederick Brady

Recensioni degli utenti13

Recensione in evidenza

6/10

fine MGM short

Bandleader Ted Barry (Frederick Brady) arrives at the Heavenly Gates. He's interviewed by gate keeper Mr. Frisbie from Public Relations, but he seems uninformed about Barry. He's brought inside by angel Joy to the Hall of Music where he must prove his worth before the icons of the past.

It's an MGM short that actually won an Oscar. I do have an issue with the premise. The entry test has nothing to do with morality, but it's all about the value of his music. That seems to go against western moral values. Otherwise, this is fine. The music is fine. I like the little section where Barry points out music being copied from previous icons. It's fine.