Aggiungi una trama nella tua linguaFour struggling musicians lose their vocalist at the insistence of her gangster boyfriend. They find a replacement in an innocent young woman being courted by a cabbie pretending to be a kin... Leggi tuttoFour struggling musicians lose their vocalist at the insistence of her gangster boyfriend. They find a replacement in an innocent young woman being courted by a cabbie pretending to be a king.Four struggling musicians lose their vocalist at the insistence of her gangster boyfriend. They find a replacement in an innocent young woman being courted by a cabbie pretending to be a king.
Rafael Alcayde
- Headwaiter
- (non citato nei titoli originali)
Joseph E. Bernard
- Jailer
- (non citato nei titoli originali)
William Blees
- Eddie
- (non citato nei titoli originali)
Fortunio Bonanova
- Mike - Nightclub Owner
- (non citato nei titoli originali)
Jack Briggs
- Nat
- (non citato nei titoli originali)
Jack Carr
- Big Guy Behind Nifty at Concert
- (non citato nei titoli originali)
Rosemary Coleman
- Salesgirl
- (non citato nei titoli originali)
Roy Crane
- Keva - Valet
- (non citato nei titoli originali)
Jack Gardner
- Symphony Hall Usher
- (non citato nei titoli originali)
Jack Gargan
- Nightclub Extra
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first starring film role of June Havoc, sister of Gypsy Rose Lee.
- BlooperAt the diner where Nifty does his solo dance, there is a hot dog sign at the beginning of the scene with a word misspelled: 'Fasinating.'
- Citazioni
Karanina 'Nina' Novak: Ohh, Nifty, you smell *so* good.
- Curiosità sui creditiAlthough they have major roles, two of the four "Jacks," William Blees and Jack Briggs, do not merit onscreen credit. Even by the limited standards of the day, this is pretty awful.
- ConnessioniFeatured in Make Mine Laughs (1949)
- Colonne sonoreI'm in Good Shape
(uncredited)
Music by Harry Revel
Lyrics by Mort Greene
Sung and Danced by Ray Bolger (uncredited)
Recensione in evidenza
Before the 1950s, the studios owned the movie theaters, and had to make "product" for them continuously. Films were created to utilize contract players, with perhaps a better known "name star" borrowed for the cast. Movies were only intended for a short run, and then meant to be forgotten.
That being said, this film is a harmless bit of fluff that was never meant to have a long life. It was just "product" to fill a movie theater. I'm sure nobody at the time expected this to be competition for MGM spectaculars or 20th Century Fox Technicolor beauties.
Keep in mind that Ray Bolger made this film three years after "Wizard of Oz", so the comment about MGM "finally" getting it right in casting him, makes no sense. So what if Anne Shirley had fine clothes. Did you ever count how many costume changes Ginger Rogers had in "Kitty Foyle", playing a shop girl? Come on fellas, this is Hollywood, not real life.
Sure, Bolger could have used better material, but he never had a much of a movie career. He did better on Broadway, both before and after this film was made.
So what is this is a re-make of "Street Girl". Did you ever notice how many movies get re-made? And not only once, but two and three times. "Maltese Falcon" has had at least three, and "Three Blind Mice" got re-made as "Moon Over Miami" and later as "Three Little Girls in Blue".
Considering how much junk you see on TVhow many insipid situation comedies that are broadcastthis film compares favorably to what we have available to watch.
The songs are tuneful and catchy, keeping with the style of the 1940s. The composers, Mort Greene and Harry Revel, were responsible for a plethora of tunes in that era, together and with other collaborators. You'll find their work in many movie musicals, both A and B grade.
Using Martha Mears to dub Anne Shirley's singing was a good choice, since the tone of her voice matches Shirley's speaking voice very favorably. Mears also did Marjorie Reynolds singing in "Holiday Inn". Dubbing is nothing new to Hollywood. Rita Hayworth and Lucille Ball were always dubbed in the many musicals those actresses made.
So, while TV has resurrected old films, just consider viewing this one as a nostalgic trip to a time when life was simpler. It's only a little over an hour of your time.
That being said, this film is a harmless bit of fluff that was never meant to have a long life. It was just "product" to fill a movie theater. I'm sure nobody at the time expected this to be competition for MGM spectaculars or 20th Century Fox Technicolor beauties.
Keep in mind that Ray Bolger made this film three years after "Wizard of Oz", so the comment about MGM "finally" getting it right in casting him, makes no sense. So what if Anne Shirley had fine clothes. Did you ever count how many costume changes Ginger Rogers had in "Kitty Foyle", playing a shop girl? Come on fellas, this is Hollywood, not real life.
Sure, Bolger could have used better material, but he never had a much of a movie career. He did better on Broadway, both before and after this film was made.
So what is this is a re-make of "Street Girl". Did you ever notice how many movies get re-made? And not only once, but two and three times. "Maltese Falcon" has had at least three, and "Three Blind Mice" got re-made as "Moon Over Miami" and later as "Three Little Girls in Blue".
Considering how much junk you see on TVhow many insipid situation comedies that are broadcastthis film compares favorably to what we have available to watch.
The songs are tuneful and catchy, keeping with the style of the 1940s. The composers, Mort Greene and Harry Revel, were responsible for a plethora of tunes in that era, together and with other collaborators. You'll find their work in many movie musicals, both A and B grade.
Using Martha Mears to dub Anne Shirley's singing was a good choice, since the tone of her voice matches Shirley's speaking voice very favorably. Mears also did Marjorie Reynolds singing in "Holiday Inn". Dubbing is nothing new to Hollywood. Rita Hayworth and Lucille Ball were always dubbed in the many musicals those actresses made.
So, while TV has resurrected old films, just consider viewing this one as a nostalgic trip to a time when life was simpler. It's only a little over an hour of your time.
- timothymcclenaghan
- 2 gen 2006
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- En sjusärdeles flicka
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 8 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Four Jacks and a Jill (1942) officially released in Canada in English?
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