VALUTAZIONE IMDb
7,9/10
29.265
LA TUA VALUTAZIONE
Il regista di Hollywood John L. Sullivan vuole fare esperienza vivendo come un senzatetto per prepararsi al meglio per il suo prossimo film.Il regista di Hollywood John L. Sullivan vuole fare esperienza vivendo come un senzatetto per prepararsi al meglio per il suo prossimo film.Il regista di Hollywood John L. Sullivan vuole fare esperienza vivendo come un senzatetto per prepararsi al meglio per il suo prossimo film.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie
Charles R. Moore
- Colored Chef
- (as Charles Moore)
Trama
Lo sapevi?
- QuizCinematographer John Seitz admired Preston Sturges' unconventional approach to his work. The opening scene comprised ten pages of dialogue to cover about four and a half minutes of screen time. It was scheduled for two complete days of shooting. On the morning of the first day, Seitz found Sturges inspecting the set with a viewfinder, looking for where he could cut the scene and change camera set-ups. Seitz dared him to do it all in one take. Never one to refuse a dare, Sturges took him up on it, although the nervous Seitz had never attempted to complete a two-day work schedule in one day. With the endorsement of McCrea and the rest of the actors, Sturges pressed on, determined to set a record. The first take was fine, but the camera wobbled a little in the tracking shot following the men from screening room to office, so they tried again. They did two or three takes at the most and that was it - two full days work by 11 a.m. on the first day, a feat that had the entire studio buzzing.
- BlooperWhen Sullivan and the Girl jump off the train and walk to the lunch stand, nothing is visible around the outside of the lunch stand--not a car, tree or anything. When Sullivan asks if the proprietor had seen a land yacht (a big RV), the proprietor points to the side and they look out the window and see the big land yacht parked there. Of course, if it had been there in the first place, Sullivan would have seen it right away and not gone into the lunch stand.
- Citazioni
[last lines]
John L. Sullivan: There's a lot to be said for making people laugh. Did you know that that's all some people have? It isn't much, but it's better than nothing in this cockeyed caravan.
- Curiosità sui creditiThe Paramount logo appears as a seal on a package.
The package is opened to reveal a book with the film title on it and the opening credits appear on pages in the book.
- ConnessioniFeatured in The Cinematographer (1951)
- Colonne sonoreSpring Song
(1844) (uncredited)
Written by Felix Mendelssohn
Played as part of the score when Sullivan starts his experiment
Reprised when he starts a second time
Recensione in evidenza
Preston Sturges (1898-1959) wrote over 40 film screenplays spanning the years 1930-1958 and directed over a dozen films 1940-1955. His first attempt at directing was a success with a string of two popularly and critically acclaimed films in each of the years 1940 and 1941, "The Great McGinty", "Christmas in July"; "The Lady Eve" (starring Henry Fonda and Barbara Stanwyck), and this film, "Sullivan's Travels".
The beauty of "Sullivan's Travels" is the combination in genre of comedy as well as social satire and realism of the tough times of the Great Depression that the country had just weathered for a decade. Throw a romance in to the mix and a level of redirection of a "film on film" to make this an interesting film.
John Sullivan (Joel McCrea) is a famous director who is at odds with his production company. They want him to direct a comic film, while he wants to apply his talent to creating an analytic looking glass onto the sobering times called, "O Brother, Where Art Thou?". Wealthy and successful, he is mocked for not at all knowing misfortune - how would he make such a film? John takes this as a challenge, dresses as a hobo, and leaves the studio with a dime in his pocket to explore what life is like for the down and out.
However he tries to flee, he ends up getting somehow quickly being returned to Hollywood. Early on, he meets "the girl" (Veronica Lake; I don't recall her ever being given a name in the film) who sees that he is too innocent to survive on his own, and insists on bringing her broader knowledge of society to the journey and joining him to get him through this learning adventure.
The first part of the film is comic, but just as it seems to be coming to an unfulfilled ending, something unexpected happens. This event alters the course of everything and exposes John to some of the true injustices of the time - and shows him (and poignantly reminded me) that comedy is particularly important when some people have nothing else to cheer them up.
This is a film of classic Hollywood vintage, with good, snappy performances by both of the lead actors. The romance isn't at all developed but just seems to happen in a matter-of-fact way (perhaps we can take it on faith that there is instant chemistry), but what is lacking in psychology of the relationship is made up for in the chilling glimpse we get of the psyche of the underdog in Depression America.
--Dilip Barman June 19, 2004
The beauty of "Sullivan's Travels" is the combination in genre of comedy as well as social satire and realism of the tough times of the Great Depression that the country had just weathered for a decade. Throw a romance in to the mix and a level of redirection of a "film on film" to make this an interesting film.
John Sullivan (Joel McCrea) is a famous director who is at odds with his production company. They want him to direct a comic film, while he wants to apply his talent to creating an analytic looking glass onto the sobering times called, "O Brother, Where Art Thou?". Wealthy and successful, he is mocked for not at all knowing misfortune - how would he make such a film? John takes this as a challenge, dresses as a hobo, and leaves the studio with a dime in his pocket to explore what life is like for the down and out.
However he tries to flee, he ends up getting somehow quickly being returned to Hollywood. Early on, he meets "the girl" (Veronica Lake; I don't recall her ever being given a name in the film) who sees that he is too innocent to survive on his own, and insists on bringing her broader knowledge of society to the journey and joining him to get him through this learning adventure.
The first part of the film is comic, but just as it seems to be coming to an unfulfilled ending, something unexpected happens. This event alters the course of everything and exposes John to some of the true injustices of the time - and shows him (and poignantly reminded me) that comedy is particularly important when some people have nothing else to cheer them up.
This is a film of classic Hollywood vintage, with good, snappy performances by both of the lead actors. The romance isn't at all developed but just seems to happen in a matter-of-fact way (perhaps we can take it on faith that there is instant chemistry), but what is lacking in psychology of the relationship is made up for in the chilling glimpse we get of the psyche of the underdog in Depression America.
--Dilip Barman June 19, 2004
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Dettagli
Botteghino
- Budget
- 689.665 USD (previsto)
- Lordo in tutto il mondo
- 10.249 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was I dimenticati (1941) officially released in Canada in French?
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