Aggiungi una trama nella tua linguaWhile on vacation, the Saint discovers a much-sought-after music box.While on vacation, the Saint discovers a much-sought-after music box.While on vacation, the Saint discovers a much-sought-after music box.
Leueen MacGrath
- Valerie
- (as Leueen Macgrath)
Eric Clavering
- Reporter at door
- (non citato nei titoli originali)
Noel Dainton
- Commissaire
- (non citato nei titoli originali)
Roddy Hughes
- Valet
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizRKO decided to form a British Company to utilize funds frozen by the British government because of the "Films Act," which limited money taken out of the country to 50% of revenues earned from American films distributed in Great Britain. This was the first film made using those frozen funds.
- BlooperWhen Mary leave's her apartment in England to chase the Saint she packs one suitcase. Later when she arrives at Dorfeld and asks the porter where to find a taxi, she has a suitcase and hatbox.
- Citazioni
Monty Hayward: I refuse to be involved in this any further!
Mary Langdon: Is he really going?
Simon Templar, aka The Saint: Yes, as far as the bar.
- ConnessioniFollowed by The Saint Meets the Tiger (1941)
Recensione in evidenza
All the Saint wants to do is take a little trip abroad
but the gang of reporters tracking him down to the pier just won't believe he's not on a case. Among those reporters is Mary Langdon (Sally Gray), the only girl reporter in the bunch, determined to catch a big scoop to launch her career.
Along with his friend Monty, Simon tries to convince Mary he's on vacation, but suddenly things start to happen all at once: a mysterious parking lot meeting, a pursuit by automobile, a foot chase through the woods, a fight in a darkened clearing in which even our heroine assists, stomping a prone tough guy's wrist and taking away his knife just in time .
Simon Templar may be on vacation, but a case certainly finds him. Gradually he learns that all the to-do concerns a small, mysterious package that multiple parties seek (and Templar soon has).
Gray and Sinclair work well together, and exchange some enjoyably clever repartee. (Mary: "I suppose you realize we stand an excellent chance of being sent to jail for a couple of years." Simon: "Well, you can't expect to have your fun for nothing, can you.")
The picture really gets interesting when veteran English actor Cecil Parker comes on the scene as villain Rudolph Hauser, a spy who—like everyone else—badly wants that little box. Parker and Sinclair are excellent together—two experienced operators who maintain an exceedingly polite surface while playing a deadly game.
Hugh Sinclair is actually a quite pleasing Simon Templar—he captures the character's polished and polite exterior as well as the cool alertness and ready athleticism lurking just beneath. The picture's strong cast and a plot that presents a few surprises help to make this a very entertaining series entry. Only the resolution seems a bit weak but that may be because the buildup was so good.
Best dialog exchange: In a highly tense moment, Templar bursts into Hauser's living room to find the owner ready to confront and presumably trap him. Templar plays it suave: "You don't mind me .butting in like this?" To which the reply is equally civil: "Oh, on the contrary, I I'm always pleased to see you."
Along with his friend Monty, Simon tries to convince Mary he's on vacation, but suddenly things start to happen all at once: a mysterious parking lot meeting, a pursuit by automobile, a foot chase through the woods, a fight in a darkened clearing in which even our heroine assists, stomping a prone tough guy's wrist and taking away his knife just in time .
Simon Templar may be on vacation, but a case certainly finds him. Gradually he learns that all the to-do concerns a small, mysterious package that multiple parties seek (and Templar soon has).
Gray and Sinclair work well together, and exchange some enjoyably clever repartee. (Mary: "I suppose you realize we stand an excellent chance of being sent to jail for a couple of years." Simon: "Well, you can't expect to have your fun for nothing, can you.")
The picture really gets interesting when veteran English actor Cecil Parker comes on the scene as villain Rudolph Hauser, a spy who—like everyone else—badly wants that little box. Parker and Sinclair are excellent together—two experienced operators who maintain an exceedingly polite surface while playing a deadly game.
Hugh Sinclair is actually a quite pleasing Simon Templar—he captures the character's polished and polite exterior as well as the cool alertness and ready athleticism lurking just beneath. The picture's strong cast and a plot that presents a few surprises help to make this a very entertaining series entry. Only the resolution seems a bit weak but that may be because the buildup was so good.
Best dialog exchange: In a highly tense moment, Templar bursts into Hauser's living room to find the owner ready to confront and presumably trap him. Templar plays it suave: "You don't mind me .butting in like this?" To which the reply is equally civil: "Oh, on the contrary, I I'm always pleased to see you."
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Getaway
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 1 minuto
- Colore
- Proporzioni
- 1.37 : 1
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By what name was The Saint's Vacation (1941) officially released in India in English?
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