VALUTAZIONE IMDb
7,2/10
1522
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo Tokyo co-workers come across a destitute young lady in search of a place to live.Two Tokyo co-workers come across a destitute young lady in search of a place to live.Two Tokyo co-workers come across a destitute young lady in search of a place to live.
- Premi
- 1 vittoria in totale
Den Ôhinata
- Jiro
- (as Den Obinata)
Tomio Aoki
- Tomio
- (as Tokkan Kozô)
Chishû Ryû
- Man on boat
- (non citato nei titoli originali)
Hideo Sugawara
- Boy Taunting Tomio
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizCapriccio passeggero (1933) won the Kinema Junpo Award for best film, the second of three consecutive years an Yasujirô Ozu film won, following Sono nato, ma... (1932) and preceding Storia di erbe fluttuanti (1934).
- BlooperKihachi states that 50 sen to a boy his age (referring to Tomio) is like 10 ryo to him and Otome. The ryo was replaced by the yen in 1871, over 60 years earlier. (The yen replaced the ryo at par; there are 100 sen to the yen.)
However, Otome then says, "No, more like 1,000 yen!" So, it's possible "ryo" was still being used synonymously with "yen" over a half-century later.
- ConnessioniFeatured in Transcendental Style and Flatulence (2017)
Recensione in evidenza
"Passing fancy" (1933) is the latest of the three "silent Ozu's" that I have watched recently (the others were "Tokyo chorus" (1931) and "I was born ... but" (1932)) and the most recent one. Despite the coming of sound Ozu still adheres (just like Chaplin) firmly to the silent tradition. In his view silent film was on his way to reaching perfection and this was threatened by the still infant and imperfect sound technology. "Passing fancy" has many slapstick elements. See for example how characters in this film scratch their buttocks to express uncertainty and discomfort.
"Passing fancy" is of al three silent Ozu's the one with the most contrast to his later oeuvre.
It is about a young son and an adult father in stead of about an adult son and elderly parents. The father is single. The father is working class and not middle class.
Apart from the father-son relationsship there is also a love triangle in this film. In his favourite pub one night there appears a young lady. The father inmediately falls for her charms, but his younger colleague does not trust the lady. Of course the lady herself prefers the younger colleague. The father does ridicule himself courting someone half his age and in the proces neglects his son. Halfway the film one wonders if the father is raising his son or the other way round.
At the end the father, who is pretty good in fooling himself, has ultimately to come to two conclusions. In the first place that he is too old for the young lady (who calls him "a nice uncle", at first much to his chagrin) and in the second place that he has been a lousy father.
Takashi Sakamoto plays the somewhat naive and not very clever father in such a sympathetic way that the next year he returned as the main charecter in Ozu's real breakthrough film "A story of floating weeds".
"Passing fancy" is of al three silent Ozu's the one with the most contrast to his later oeuvre.
It is about a young son and an adult father in stead of about an adult son and elderly parents. The father is single. The father is working class and not middle class.
Apart from the father-son relationsship there is also a love triangle in this film. In his favourite pub one night there appears a young lady. The father inmediately falls for her charms, but his younger colleague does not trust the lady. Of course the lady herself prefers the younger colleague. The father does ridicule himself courting someone half his age and in the proces neglects his son. Halfway the film one wonders if the father is raising his son or the other way round.
At the end the father, who is pretty good in fooling himself, has ultimately to come to two conclusions. In the first place that he is too old for the young lady (who calls him "a nice uncle", at first much to his chagrin) and in the second place that he has been a lousy father.
Takashi Sakamoto plays the somewhat naive and not very clever father in such a sympathetic way that the next year he returned as the main charecter in Ozu's real breakthrough film "A story of floating weeds".
- frankde-jong
- 11 dic 2020
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Capriccio passeggero (1933) officially released in Canada in English?
Rispondi