Blondie Johnson

1933
Passed
1h 7min

VALUTAZIONE IMDb

6,6/10

812

LA TUA VALUTAZIONE

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1 video

22 foto

Crime Drama

Aggiungi una trama nella tua linguaThe story of a Depression-downtrodden waif who uses her brains instead of her body to rise from tyro con artist to crime boss.The story of a Depression-downtrodden waif who uses her brains instead of her body to rise from tyro con artist to crime boss.The story of a Depression-downtrodden waif who uses her brains instead of her body to rise from tyro con artist to crime boss.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

6,6/10

812

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Manager
(as Joe Cawthorn)

Olin Howland

Eddie

Sterling Holloway

Toshia Mori

Lulu

Arthur Vinton

Max Wagner

Donald Kirke

Maurice Black

Tony
(non citato nei titoli originali)

Naomi Childers

Welfare Secretary
(non citato nei titoli originali)

Charles Dow Clark

Welfare Interviewer
(non citato nei titoli originali)

Helena Phillips Evans

Police Matron
(non citato nei titoli originali)

Sam Godfrey

Freddie
(non citato nei titoli originali)

Betty Jane Graham

Child Outside Tenement
(non citato nei titoli originali)

Trama

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Quiz
This film has been preserved by the Library of Congress.

Blooper
When Blondie is talking to Danny at his apartment, she is reclining on the sofa with her legs stretched out straight. But on the next immediate cut when Danny confronts her; she is now sitting up with her legs in a folded position.

Citazioni
Danny Jones: Gee I can't eat, I can't sleep. Why I've gone around all day with nobody in my head but you.
Blondie Johnson: Bet you had a tough time getting your hat over both of us.
Danny Jones: Well you make me sick. If you was my dame I'd break your neck.
Blondie Johnson: If I was your dame I'd deserve it.

Connessioni
Featured in Complicated Women (2003)

Colonne sonore
Oh! You Beautiful Doll
(1911) (uncredited)
Music by Nat Ayer
Played during the opening credits

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Recensione in evidenza

Snappy script provides a lot of fun

Even though "Crime Does Not Pay" is the message here, Joan Blondell and Chester Morris play the wisecracks with style. Definitely a feminist slant to a story of a woman crime-boss wannabe who refuses to have sex with her co-workers. Entertaining and involving (I joined the heroine in her desire to save her frontman from the hitmen's bullets), although the ending was a little hard to take. Good stuff from Sterling Holloway as a friendly cab-driver.