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31.305
LA TUA VALUTAZIONE
Un gangster violento, ambizioso e quasi folle sale in cima alla scala del successo mafioso, ma i suoi punti deboli si rivelano essere la sua rovina.Un gangster violento, ambizioso e quasi folle sale in cima alla scala del successo mafioso, ma i suoi punti deboli si rivelano essere la sua rovina.Un gangster violento, ambizioso e quasi folle sale in cima alla scala del successo mafioso, ma i suoi punti deboli si rivelano essere la sua rovina.
- Premi
- 2 vittorie totali
Henry Armetta
- Pietro - Barber
- (non citato nei titoli originali)
Gus Arnheim
- Orchestra Leader
- (non citato nei titoli originali)
Eugenie Besserer
- Citizens Committee Member
- (non citato nei titoli originali)
Maurice Black
- Jim - Headwaiter
- (non citato nei titoli originali)
William A. Boardway
- Nightclub Patron
- (non citato nei titoli originali)
William Burress
- Judge (alternate ending)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizScreenwriter Ben Hecht was a former Chicago journalist familiar with the city's Prohibition-era gangsters, including Al Capone. During the filming, Hecht returned to his Los Angeles hotel room one night to find two Capone torpedoes waiting for him. The gangsters demanded to know if the movie was about Capone. Hecht assured them it wasn't, saying that the character Tony Camonte was based on gangsters like "Big" Jim Colosimo and Charles Dion O'Bannion. "Then why is the movie called Scarface?" one of the hoods demanded. "Everyone will think it's about Capone!" "That's the reason," said Hecht. "If you call the movie Scarface, people will think it's about Capone and come to see it. It's part of the racket we call show business." The Capone hoods, who appreciated the value of a scam, left the hotel placated.
- BlooperWhen Tony pushes and punches the man who refuses to obey Johnny Lovo in First Ward Social Club, it's seen that Tony actually punches the man's palm.
- Citazioni
Tony Camonte: Listen, Little Boy, in this business there's only one law you gotta follow to keep out of trouble: Do it first, do it yourself, and keep on doing it.
- Curiosità sui creditiThis picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty.
Every incident in this picture is the reproduction of an actual occurrence, and the purpose of this picture is to demand of the government: "What are you going to do about it?"
The government is your government. What are YOU going to do about it?
- Versioni alternativeDue to censorship requirements in several states, a second ending was shot after the film was finished, in which Camonte doesn't try an escape, but is sentenced to death and finally executed on the gallows. This alternate ending was shown only during the original 1932 theatrical run in certain states. All prints, home video, and television versions in current circulation use director Howard Hawks' ending, in which Camonte tries to escape and is shot down. The DVD includes the alternate ending as a bonus feature.
- ConnessioniEdited into Histoire(s) du cinéma: Fatale beauté (1994)
Recensione in evidenza
Unlike James Cagney and Edward G. Robinson in their career making roles as gangsters, Paul Muni after Scarface was able to avoid being typecast for his career. Only rarely did Muni return to a gangster part in his career.
It must not have been easy for him because Muni is absolutely mesmerizing as the totally amoral Tony Camonte. After Scarface was released Muni was inundated with offers to play gangsters which he rejected. Interesting because without knowing it another of the cast in Scarface, Boris Karloff, would be ultimately trapped in the horror film genre. Muni assuredly avoided Karloff's fate.
Another cast member, George Raft, got his big film break playing Muni's right hand man. For Raft this was art imitating life, these were the people who were his pallies in real life, there was never any acting involved. Raft never really had too many acclaimed performances away from the gangster/big city genre.
Camonte is the ultimate killing machine. He knows only one law the law of the jungle. He'll rise by any means possible, use anyone it takes, kill anyone who gets in his way. He has only two weaknesses, an obsession that borders on incestuous desires for his sister Ann Dvorak and a kind of affection for his factotum Vince Barnett. That's the kind of affection you have for a pet.
Barnett who usually played drunks and hangers-on got his career role out of Scarface. What comic relief there is in the film he provides. He's got some good moments as a 'secretary' trying to take a phone message with bullets flying all around him. Had he been not dispatched to take the message the machine gun bullets would have found their mark easily in the taller Muni.
Scarface is also art that imitates life. Anyone with a cursory knowledge of the history of gangland war in the Chicago of the Twenties will recognize Muni as Capone, Boris Karloff as Bugs Moran, and Osgood Perkins as Johnny Torio. Capone could have sued, but right about then he was having much bigger problems with Internal Revenue.
We can't forget Karen Morley who played Poppy the girl who likes to go with a winner. She shifts from Perkins to Muni and away from Muni when it becomes necessary. In her own way, she's as amoral as Muni.
Scarface along with Public Enemy and Little Caesar set the standard for gangster films. The updated 1983 remake with Al Pacino in Muni's part is a good film itself and got a lot of its audience with some really gory scenes.
Muni did it with talent alone.
It must not have been easy for him because Muni is absolutely mesmerizing as the totally amoral Tony Camonte. After Scarface was released Muni was inundated with offers to play gangsters which he rejected. Interesting because without knowing it another of the cast in Scarface, Boris Karloff, would be ultimately trapped in the horror film genre. Muni assuredly avoided Karloff's fate.
Another cast member, George Raft, got his big film break playing Muni's right hand man. For Raft this was art imitating life, these were the people who were his pallies in real life, there was never any acting involved. Raft never really had too many acclaimed performances away from the gangster/big city genre.
Camonte is the ultimate killing machine. He knows only one law the law of the jungle. He'll rise by any means possible, use anyone it takes, kill anyone who gets in his way. He has only two weaknesses, an obsession that borders on incestuous desires for his sister Ann Dvorak and a kind of affection for his factotum Vince Barnett. That's the kind of affection you have for a pet.
Barnett who usually played drunks and hangers-on got his career role out of Scarface. What comic relief there is in the film he provides. He's got some good moments as a 'secretary' trying to take a phone message with bullets flying all around him. Had he been not dispatched to take the message the machine gun bullets would have found their mark easily in the taller Muni.
Scarface is also art that imitates life. Anyone with a cursory knowledge of the history of gangland war in the Chicago of the Twenties will recognize Muni as Capone, Boris Karloff as Bugs Moran, and Osgood Perkins as Johnny Torio. Capone could have sued, but right about then he was having much bigger problems with Internal Revenue.
We can't forget Karen Morley who played Poppy the girl who likes to go with a winner. She shifts from Perkins to Muni and away from Muni when it becomes necessary. In her own way, she's as amoral as Muni.
Scarface along with Public Enemy and Little Caesar set the standard for gangster films. The updated 1983 remake with Al Pacino in Muni's part is a good film itself and got a lot of its audience with some really gory scenes.
Muni did it with talent alone.
- bkoganbing
- 19 gen 2007
- Permalink
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.308.000 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 1.37 : 1
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What was the official certification given to Scarface - Lo sfregiato (1932) in Japan?
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