VALUTAZIONE IMDb
7,4/10
5064
LA TUA VALUTAZIONE
In cerca di una vita migliore, due detenuti scappano di prigione.In cerca di una vita migliore, due detenuti scappano di prigione.In cerca di una vita migliore, due detenuti scappano di prigione.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 1 candidatura in totale
Paul Ollivier
- L'oncle
- (as Paul Olivier)
Albert Broquin
- Le marchand de primeurs
- (non citato nei titoli originali)
Alexander D'Arcy
- Le gigolo
- (non citato nei titoli originali)
Marguerite de Morlaye
- Une invitée au diner
- (non citato nei titoli originali)
Maximilienne
- Une invitée au diner
- (non citato nei titoli originali)
Eugène Stuber
- Un gangster
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizWhen Charles Chaplin's Tempi moderni (1936) premiered, the original distribution company of À nous la liberté, Tobis, wanted to sue. Director René Clair refused to join such a suit, saying that he considered it a compliment if Charles Chaplin based his film on René Clair's, but the suit went ahead nevertheless. Tobis, sued United Artists and Charles Chaplin for plagiarism. The suit, with separate segments in France and in the US, went on for more than a decade, right through WWII. Charles Chaplin, at the request of his lawyers, finally settled, but never admitted to the charge. René Clair stayed aloof from the affair, and he and Charles Chaplin, whom he greatly admired, remained friends.
- Versioni alternativeIn 1950 director Rene Clair re-edited and shortened the film based on existing prints (the Nazis had destroyed the negative). Some excisions include the singing flowers and the scene at the Luna Park, the sequence depicting Émile's date with Jeanne.
- ConnessioniFeatured in Fejezetek a film történetéböl: A francia lírai realizmus (1989)
- Colonne sonoreÀ nous la Liberté !
Music by Georges Auric
Lyrics by René Clair
Performed by Henri Marchand and Raymond Cordy
Recensione in evidenza
I profess-- I never heard of this movie nor this director till I watched it tonight. As pointed out, the film has a socialist message-- mainly a scaffolding to hang some very clever physical humor on, though it manages to fit in a few astute (likewise hysterical) observations about modern industrial society. The male leads are absolutely charming and have great chemistry. The style of the film is something in itself. The soundtrack (one of the first original ones to be used in a film) is intertwined with the action on screen, and occasionally the actors sing along with it almost as if this were a musical...but not quite. There are moments of pantomime infused with talking scenes, almost as if the director was trying figure out how to work his style for making silent films into talkies. In total, it's a bit odd-- but it works! And it's unique. And far from dated-- it gave me quite a few belly-laughs.
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Dettagli
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.20 : 1
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Divario superiore
By what name was A me la libertà (1931) officially released in Canada in English?
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