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Based off the Lewis Sinclair epic, Arrowsmith follows a young doctor's journey as he explores different avenues of medicine and research. As you might expect, from page-to-screen, a little ends up on the cutting room floor. Still, if you like medical movies, you'll probably want to give this classic a try. It reminded me of a cross between The Citadel and The Doctor and the Girl.

As I've frequently said, there are two sides to Ronald Colman, and Arrowsmith contains the version with a stick perpetually lodged somewhere uncomfortable. He's not as passionate as he is in other movies, so keep that in mind. For a better first impression of him, try A Tale of Two Cities. You'll get a fine first impression of Helen Hayes, though, who plays his long-suffering wife. She's young and pretty in this one, a far cry from her Miss Marple little-old-lady persona of later decades. She has more passion than her husband, and she repeatedly pushes him to pursue his medical interest, even at the expense of their personal life. She never wants to be left behind, and she follows him all around the world as he conducts research for the bubonic plague.

You'll see Myrna Loy for about five minutes, but it's not her movie, so don't expect anything other than a pretty face. Colman and Hayes have pretty faces, too, and it is always fun to see a very old movie, but it's not my favorite. I like The Doctor and the Girl better, so if you find this movie lacking, you might want to check out Glenn Ford's take on it.