Sweet Kitty Bellairs is a great example of what I maintained in those early days
of sound. All the studios big and small were scrambling to purchase all kinds
of plays, anything with dialog so that the players could talk. Especially the new
ones with stage training to replace the pantomimists of silent days.
In the case of Sweet Kitty Bellairs this was an old chestnut of a British Regency
comedy of manners where it was decided to put music to it. Nothing terribly distinguished but serviceable for the plot. And no one seems to be
taking credit. Note five different people in the credits are listed, but not one of those five says 'music by' or lyrics by'. I'm sure there's a story.
This film plays like a romance novel set to music with a dashing highwayman who is also an aristocrat, a shy poet, and a woman of a scandalous reputation. Add to that some Regency Era fops and a dirty old
lord with gout and you've got Sweet Kitty Bellairs.
The film was old fashioned when it was released but it is an interesting antique and reflective of what producer David Belasco gave to the public in
his highlight days during the gaslight era before World War I.
As Belasco was still alive when this came out, I wonder what he thought of it?