VALUTAZIONE IMDb
7,4/10
15.547
LA TUA VALUTAZIONE
Caos e follia nascono quando un prezioso dipinto scompare durante una festa in onore dell'esploratore africano Capitano Spaulding.Caos e follia nascono quando un prezioso dipinto scompare durante una festa in onore dell'esploratore africano Capitano Spaulding.Caos e follia nascono quando un prezioso dipinto scompare durante una festa in onore dell'esploratore africano Capitano Spaulding.
- Premi
- 2 candidature totali
Groucho Marx
- Captain Geoffrey T. Spaulding
- (as The Marx Brothers)
Harpo Marx
- The Professor
- (as The Marx Brothers)
Chico Marx
- Signor Emanuel Ravelli
- (as The Marx Brothers)
Zeppo Marx
- Horatio Jamison
- (as The Marx Brothers)
Robert Allen
- Party Guest
- (non citato nei titoli originali)
Donald MacBride
- Party Guest
- (non citato nei titoli originali)
Ann Roth
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn the interchange between Spaulding and Ravelli near the end of the film, Spaulding refers to "Chic Sale". Chic Sale was a vaudeville performer well-known to audiences in the 1930s. His name, however, had a parallel meaning. It had become a euphemism for an outhouse. Groucho Marx may have thought the reference as a way around the Hays Office code. The comedian Soupy Hines changed his name to Soupy Sales in honor of the original Sale. His birth name was Milton Supman.
- BlooperWhen Professor replaces the handgun for a rifle after he shoots himself in the foot, Hives can be seen in the background walking behind the column, clearly awaiting his turn to enter the scene.
- Citazioni
Capt. Spaulding: [Speaking directly at the camera] Well, all the jokes can't be good. You've got to expect that once in awhile.
- Versioni alternativeCensored for a 1936 reissue to meet Production Code requirements; this censored version was the only one available for television showings and subsequent VHS/DVD releases. A surviving complete and uncensored print was found in England, and is the source being used for the 2016 blu-ray release.
- ConnessioniFeatured in 46th Annual Academy Awards (1974)
- Colonne sonoreYou Must Do Your Best Tonight
(1930) (uncredited)
Music by Harry Ruby
Lyrics by Bert Kalmar
Sung by Robert Greig and The Music Masters
Recensione in evidenza
When "Animal Crackers" was re-released after decades in hiding (due to copyright problems), the ticket-buyer & ticket-holder lines at New York's Sutton Theatre stretched down 57th Street for every showing. I was dazzled when I first sat through this film-- it seemed as if there was a kind of magic in the theatre that night. I can remember having goosebumps when Lillian Roth sang "Why Am I So Romantic?".
I was working as manager of the Paris Theatre on 58th Street when "Animal Crackers" opened at the Sutton, and because both houses were part of the Cinema-5 circuit, I was always able to get passes. -- In this case, because I had also worked as 'relief manager' at The Sutton on many occasions, I was well known to the staff and had entry to that theatre whenever I wanted. --During the 'opening' run of "Animal Crackers," I often walked over to The Sutton when my day's shift was complete at The Paris.
I can tell you that every screening of "Animal Crackers" that I attended was packed. And every time I was present for the film's end, I witnessed a standing ovation-- something that many film producers can only dream of.
I often tried to imagine myself attending a 'live' performance of this show. --As many have mentioned here, "Animal Crackers" was a hit Broadway show, starring the Marx Brothers, long before it was filmed by Paramount.
Rather than complaining that this film is "stagey", many who comment here would do well to remember that a film like this is as close to a Broadway show as millions of people will ever get. The annoying penchant some viewers have for wondering why the film version of a Broadway hit show (especially a musical-comedy) isn't more "opened-up" is both tiresome and moot.
Also, the constant comparison of "Animal Crackers" to other Marx Brothers films (especially the later MGM films) is an 'apples-to-oranges' kind of thing. It would make far more sense to compare it to other early filmed-versions of it's Broadway contemporaries, such as "Rio Rita" or "Flying High" or "Girl Crazy"....
Although the stage show of "Animal Crackers" was on Broadway long before I was born, (and the film's initial premier pre-dates me by almost as long), I am forever gratified to have been able to attend the 1974 "re-opening" of the film in New York, and to see, feel, and participate in, the audiences' jubilant reactions.
I rated this film 10/10. It's a perfect comedy, with (theatre-goers will recognize this-) honest-to-goodness Broadway music-- and with Lillian Roth, too. "Animal Crackers" is a great show in every respect.
Hungadunga!
I was working as manager of the Paris Theatre on 58th Street when "Animal Crackers" opened at the Sutton, and because both houses were part of the Cinema-5 circuit, I was always able to get passes. -- In this case, because I had also worked as 'relief manager' at The Sutton on many occasions, I was well known to the staff and had entry to that theatre whenever I wanted. --During the 'opening' run of "Animal Crackers," I often walked over to The Sutton when my day's shift was complete at The Paris.
I can tell you that every screening of "Animal Crackers" that I attended was packed. And every time I was present for the film's end, I witnessed a standing ovation-- something that many film producers can only dream of.
I often tried to imagine myself attending a 'live' performance of this show. --As many have mentioned here, "Animal Crackers" was a hit Broadway show, starring the Marx Brothers, long before it was filmed by Paramount.
Rather than complaining that this film is "stagey", many who comment here would do well to remember that a film like this is as close to a Broadway show as millions of people will ever get. The annoying penchant some viewers have for wondering why the film version of a Broadway hit show (especially a musical-comedy) isn't more "opened-up" is both tiresome and moot.
Also, the constant comparison of "Animal Crackers" to other Marx Brothers films (especially the later MGM films) is an 'apples-to-oranges' kind of thing. It would make far more sense to compare it to other early filmed-versions of it's Broadway contemporaries, such as "Rio Rita" or "Flying High" or "Girl Crazy"....
Although the stage show of "Animal Crackers" was on Broadway long before I was born, (and the film's initial premier pre-dates me by almost as long), I am forever gratified to have been able to attend the 1974 "re-opening" of the film in New York, and to see, feel, and participate in, the audiences' jubilant reactions.
I rated this film 10/10. It's a perfect comedy, with (theatre-goers will recognize this-) honest-to-goodness Broadway music-- and with Lillian Roth, too. "Animal Crackers" is a great show in every respect.
Hungadunga!
- cinema_universe
- 8 apr 2005
- Permalink
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 910.015 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
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By what name was Animal Crackers (1930) officially released in India in English?
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