Primavera

When filming began in 1936 (in color), the original opera finale was also recorded, staged and shot. This was to have been Act II of Giacomo Puccini's "Tosca", one of the few operatic works with major roles for baritone (Scarpia) and soprano as equals (Tosca). It also allowed Jeanette MacDonald to sing the famous aria "Vissi D'arte". By the time shooting recommenced in black and white, this idea was scrapped and replaced with an elaborate fake Russian opera "Czaritza" created by Herbert Stothart to music by Pyotr Ilyich Tchaikovsky, presumably to allow for a big Duet (in "Tosca", she murders Scarpia by stabbing him through the heart!). The rewritten story of "Maytime" presumably demanded it. Sadly, the Technicolor "Tosca" sequence does not appear to have survived, which is a pity as it would have been fascinating to see MacDonald and Nelson Eddy in a major operatic sequence and in color.

During the ball scene, Marcia Mornay sings Les filles de Cadiz by Delibes at the command of the Emperor Louis Napoleon. However, the piece was not composed until 1874, whereas Louis reigned from 1852-1870.

Opening credits are shown on the water and on the bark of the trees.

Originally released in Sepia Platinum for Roadshow engagements, this was a process most famously used in the Kansas portions of 'The Wizard of Oz' and the Panama jungle scenes in 'The Sea Hawk'

Edited into Avventura al Cairo (1942)