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7,8/10
6497
LA TUA VALUTAZIONE
Una coppia di sosia, un ex aristocratico francese e l'altro un avvocato inglese alcolista, si innamorano della stessa donna in mezzo ai tumulti della Rivoluzione francese.Una coppia di sosia, un ex aristocratico francese e l'altro un avvocato inglese alcolista, si innamorano della stessa donna in mezzo ai tumulti della Rivoluzione francese.Una coppia di sosia, un ex aristocratico francese e l'altro un avvocato inglese alcolista, si innamorano della stessa donna in mezzo ai tumulti della Rivoluzione francese.
- Candidato a 2 Oscar
- 2 candidature totali
Lucille La Verne
- The Vengeance
- (as Lucille LaVerne)
Trama
Lo sapevi?
- QuizActor Ronald Colman agreed to play the role of Sydney Carton with the sole condition that he not also be required to play the role of Charles Darnay, as was usually expected in adaptations of the Dickens novel. The plot of 'A Tale of Two Cities' turns on the physical resemblance between the two characters. Colman had long wanted to play Sydney Carton, and was even willing to shave off his beloved mustache to play the part.
- BlooperSydney Carton attends Christmas Eve services ca. 1780 during which "Hark, the Herald Angels Sing" is sung to music by Felix Mendelssohn (1809-1847), and John Francis Wade's Latin hymn, "Adeste fideles," is sung in Frederick Oakley's (1802-1880) translation as "O Come, All Ye Faithful."
- Citazioni
Sydney Carton: It's a far, far better thing I do than I have ever done. It's a far, far better rest I go to than I have ever known.
- Curiosità sui creditiAlthough the film has nothing to do with Christmas, "Adeste Fideles," known in English as the holiday carol "O Come All Ye Faithful" plays as a The End title appears on screen.
- ConnessioniEdited into The Story That Couldn't Be Printed (1939)
- Colonne sonoreLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Played during the opening credits and often in the score
Recensione in evidenza
Charles Dickens would have stood up and applauded had he seen this fabulous 1935 version of his classic tale.
There are no words adequate enough to praise the fine performances in this film dealing with the French Revolution.
Ronald Colman is memorable as Sidney Carton, an alcoholic lawyer, who gave up his life to save the husband (Donald Woods) of the woman he loved. The woman, played by Elizabeth Allan, was strong in emotion and very appealing.
The supporting performances are first-rate. Had they had supporting Oscar categories in 1935, Edna May Oliver, as Miss Pross, governess to Allan and Blanche Yurka, as fiery revolutionary Madame De Farge, would have certainly been nominated. Who can forget the fight scene between both of these women? Who can forget De Farge's demand that Darnay, the nephew of the notorious Marquis Evremonde, a vicious Basil Rathbone, be put to death for being a member of this elitist family? Yurka tore into this scene a revenge rarely seen in motion pictures. Unfortunately, Hollywood could offer her few parts for a talent as great as this. Oliver, as Miss Pross, shed the right tears, and with sarcastic wit, delivered some of the most memorable lines in this film. Her facial gestures along with those of Yurka were something else. You'd also feel for the mobs of the starving French while the aristocrats lived so well.
Isabel Jewell, as the condemned seamstress, gave heart in her brief performance. Her emotional outburst, as she nears her fate, will never be forgotten.
The dialogue was crisp, the directing by Jack Conway, was first rate.
Years later, this classic was remade in 1958. It was an extremely poor remake. Foolishly, they weakened the part of Madame De Farge. **** for the original and even more. Revolutions were never as good as this one!
There are no words adequate enough to praise the fine performances in this film dealing with the French Revolution.
Ronald Colman is memorable as Sidney Carton, an alcoholic lawyer, who gave up his life to save the husband (Donald Woods) of the woman he loved. The woman, played by Elizabeth Allan, was strong in emotion and very appealing.
The supporting performances are first-rate. Had they had supporting Oscar categories in 1935, Edna May Oliver, as Miss Pross, governess to Allan and Blanche Yurka, as fiery revolutionary Madame De Farge, would have certainly been nominated. Who can forget the fight scene between both of these women? Who can forget De Farge's demand that Darnay, the nephew of the notorious Marquis Evremonde, a vicious Basil Rathbone, be put to death for being a member of this elitist family? Yurka tore into this scene a revenge rarely seen in motion pictures. Unfortunately, Hollywood could offer her few parts for a talent as great as this. Oliver, as Miss Pross, shed the right tears, and with sarcastic wit, delivered some of the most memorable lines in this film. Her facial gestures along with those of Yurka were something else. You'd also feel for the mobs of the starving French while the aristocrats lived so well.
Isabel Jewell, as the condemned seamstress, gave heart in her brief performance. Her emotional outburst, as she nears her fate, will never be forgotten.
The dialogue was crisp, the directing by Jack Conway, was first rate.
Years later, this classic was remade in 1958. It was an extremely poor remake. Foolishly, they weakened the part of Madame De Farge. **** for the original and even more. Revolutions were never as good as this one!
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- A Tale of Two Cities
- Luoghi delle riprese
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Stati Uniti(Studio, Waterfront Street)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.232.000 USD (previsto)
- Tempo di esecuzione2 ore 8 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Le due città (1935) officially released in India in English?
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