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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCharismatic tuna fisherman Dutch rises in union ranks but pride costs him job, marriage to cannery worker Hattie after failed strike. Despite deep love, they must overcome stubbornness.Charismatic tuna fisherman Dutch rises in union ranks but pride costs him job, marriage to cannery worker Hattie after failed strike. Despite deep love, they must overcome stubbornness.Charismatic tuna fisherman Dutch rises in union ranks but pride costs him job, marriage to cannery worker Hattie after failed strike. Despite deep love, they must overcome stubbornness.
Trama
Lo sapevi?
- QuizOne news item noted that Riffraff (1935) was using 42 contract players, the largest ever used in an M-G-M picture.
On the night of October 30, 1935, the 40 female extras set, many of them elderly or in frail health, were filmed in a simulated rain sequence that included the use of a sprinkler rig, fire hoses and wind machines. Multiple extras sustained bruises, temporary blindness, and loss of consciousness, with many suffering from pneumonia as a result. The crew was found to be understaffed and lacking the necessary supplies to properly warm and dry the extras between takes.
A charge of negligence was brought against MGM by the California State Industrial Welfare Committee by Mrs. Mabel Kinney on behalf of the 40 female extras who were drenched in the prison rainstorm sequence. It contended that women who lost work because of illness after that sequence should be compensated. Each of the extras received an extra $15 as an initial compensation.
- BlooperDuring the prison escape when Hattie and friend hop into the getaway car, the seat backs already are wet before the two drenched escapees get into the auto. Obviously this was not the first take of the scene.
- Citazioni
Dutch Muller: [showing his bride Hattie his place] It's genuine artificial roses. They never wear out!
- ConnessioniFeatured in Ragazzi attori (1939)
- Colonne sonoreYou Are My Lucky Star
(1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played and sung by a chorus at the July 4 celebration party
Sung a cappella by Jean Harlow in prison
Recensione in evidenza
...but I guess the title "Riffraff" would do as well as anything else MGM could have come up with - but it's not very descriptive. Hattie (Jean Harlow) is a cannery worker in love with Dutch (Spencer Tracy), a very good fisherman and also a tremendous blow-hard. He fancies himself the leader of some future workers' revolution. Hattie lives with her extended family including sister Lil (Una Merkel) and Lil's husband and two kids, with the son being played by a mischievous Mickey Rooney. Dutch doesn't treat Hattie very well - they spend most of their time arguing, and to complicate matters she has caught the eye of wharf boss Nick (Joseph Calleia).
However, between arguments, Dutch and Hattie do manage to get married. Some have asked whatever Hattie saw in a selfish windbag like Dutch, but if a coherent 500 word essay was a prerequisite for love it would be the end of the human race, and I have seen odder pairings in real life that worked. They are married only a few months when Dutch decides he was meant for bigger and better things, and he tells Hattie he is leaving her - for awhile - to find his destiny. She understandably doesn't take this well, and he gets the last word in by saying that it's goodbye for keeps. Thus begins the long melodrama of these two apart as Dutch's plans don't exactly work out as he figured and an impulsive act by Hattie meant to aid Dutch in a time of trouble and that act's repercussions show Dutch how selfish he has been and how much she really means to him.
In spite of the melodrama, there really are no bad guys here. Even lecherous Nick is likable in his own way, and his conversations with his lawyer are particularly humorous. Thus this film is pure Depression-era entertainment in the MGM tradition. It has many of the familiar building blocks of 30's MGM dramas, but they are assembled in a rather quirky way such that this is nothing that will change the world, but it's still very interesting. The cast is outstanding with good performances by all. Especially notable is Una Merkel's performance as loyal sister Lil who manages to be simultaneously feisty and frumpy.
However, between arguments, Dutch and Hattie do manage to get married. Some have asked whatever Hattie saw in a selfish windbag like Dutch, but if a coherent 500 word essay was a prerequisite for love it would be the end of the human race, and I have seen odder pairings in real life that worked. They are married only a few months when Dutch decides he was meant for bigger and better things, and he tells Hattie he is leaving her - for awhile - to find his destiny. She understandably doesn't take this well, and he gets the last word in by saying that it's goodbye for keeps. Thus begins the long melodrama of these two apart as Dutch's plans don't exactly work out as he figured and an impulsive act by Hattie meant to aid Dutch in a time of trouble and that act's repercussions show Dutch how selfish he has been and how much she really means to him.
In spite of the melodrama, there really are no bad guys here. Even lecherous Nick is likable in his own way, and his conversations with his lawyer are particularly humorous. Thus this film is pure Depression-era entertainment in the MGM tradition. It has many of the familiar building blocks of 30's MGM dramas, but they are assembled in a rather quirky way such that this is nothing that will change the world, but it's still very interesting. The cast is outstanding with good performances by all. Especially notable is Una Merkel's performance as loyal sister Lil who manages to be simultaneously feisty and frumpy.
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Dettagli
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Proporzioni
- 1.37 : 1
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