VALUTAZIONE IMDb
7,2/10
6048
LA TUA VALUTAZIONE
A Parigi, l'ossessione di un chirurgo demente per un'attrice britannica lo porta a sostituire segretamente le mani maciullate del marito pianista con quelle di un assassino ghigliottinato la... Leggi tuttoA Parigi, l'ossessione di un chirurgo demente per un'attrice britannica lo porta a sostituire segretamente le mani maciullate del marito pianista con quelle di un assassino ghigliottinato lanciatore di coltelli.A Parigi, l'ossessione di un chirurgo demente per un'attrice britannica lo porta a sostituire segretamente le mani maciullate del marito pianista con quelle di un assassino ghigliottinato lanciatore di coltelli.
- Premi
- 1 candidatura in totale
Sara Haden
- Marie
- (as Sarah Haden)
George Davis
- Chauffeur
- (scene tagliate)
Billy Dooley
- Undetermined Role
- (scene tagliate)
Harold Huber
- Thief
- (scene tagliate)
Isabel Jewell
- Marianne
- (scene tagliate)
Leo White
- Undetermined Role
- (scene tagliate)
Sam Ash
- Detective Arresting Stephen
- (non citato nei titoli originali)
Hooper Atchley
- Train Conductor
- (non citato nei titoli originali)
Agostino Borgato
- Stage Doorman
- (non citato nei titoli originali)
Maurice Brierre
- Taxi Driver
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizCharles Chaplin called Lorre the screen's best actor after seeing his performance in "Mad Love."
- BlooperThroughout the picture, the wax figure moves slightly whenever Frances Drake is subbing for the actual statue. Most noticeable when the bird lands on her shoulder, making the "lifeless" statue sway.
- Citazioni
Françoise, Gogol's Housekeeper: [referring to the wax figure of Yvonne] It went out for a little walk!
- Curiosità sui creditiAt the end of the opening credits, the titles are painted on a glass window pane that is broken by a fist punching through it.
- Versioni alternativePhil Hardy's The Overlook Film Encyclopedia: Science Fiction (p. 94) states that there is an 85-minute version of the film, although he provides no details about this.
- ConnessioniEdited into The History of the Hands (2016)
Recensione in evidenza
Apparently, Peter Lorre only agreed to do this film because he had been promised the lead in "Crime & Punishment" afterwards if he did it. I've seen both films, and though Lorre was magnificent in both, I prefer this one. I'm so glad he agreed to do it.
"Mad Love" is the story of Doctor Gogol, brilliant Parisian surgeon whose reputation for doing surgeries on desperate cases free of charge is well- renowned. But Doctor Gogol is a morbid man as well, gleefully attending public beheadings and taking orgasmic delight in the Grand Guignol Theatre de Horreur, which stages realistic horror plays. The star of the Theatre is Yvonne, and Doctor Gogol is madly in love with her, hence the title of our film. But Yvonne is already married to Stephen Orlac, a famous concert pianist. Doctor Gogol, with his bald head and buggy eyes, gives her the creeps and her distaste for him is clear. However, when her husbands train crashes and his million-dollar hands are destroyed, it is Doctor Gogol she turns to. Desperate to win the love of Yvonne, Gogol agrees to do the impossible. Stephen Orlac is saved...but only Gogol knows that his hands are no longer his own. They once belonged to a killer, and they want to kill again.
Lorre turns in yet another astonishing performance here; his Gogol is very convincing, quite capable of handling a few lines of cornball dialogue without seeming foolish in the least. And the sympathy he elicits is simply amazing; I found myself cheering for him the whole time instead of for Yvonne, who struck me as a cold, opportunistic gold digger, quite willing to use the Doctor if it served her purpose. I'm sure this was not the intent of the filmmakers, but Lorre emerges as the hero here, at least in my humble opinion. Toward the end of the film, he is completely unleashed, playing mad, wild music on the organ and donning a most hideous metal contraption which looks like something that H. R. Giger might have designed.
This beautiful black-and-white film by MGM rivals the classic monsters of Universal, and placed Peter Lorre alongside such horror movie icons as Bela Lugosi, Boris Karloff and Vincent Price. Reportedly, Lorre detested these horror film roles that made him famous, but his resentment never shows through; he threw himself into this and every role with creativity and zeal. He is truly marvelous to watch. Mad Love should not be missed by fans of old, spooky Gothic tales. It is a masterpiece.
"Mad Love" is the story of Doctor Gogol, brilliant Parisian surgeon whose reputation for doing surgeries on desperate cases free of charge is well- renowned. But Doctor Gogol is a morbid man as well, gleefully attending public beheadings and taking orgasmic delight in the Grand Guignol Theatre de Horreur, which stages realistic horror plays. The star of the Theatre is Yvonne, and Doctor Gogol is madly in love with her, hence the title of our film. But Yvonne is already married to Stephen Orlac, a famous concert pianist. Doctor Gogol, with his bald head and buggy eyes, gives her the creeps and her distaste for him is clear. However, when her husbands train crashes and his million-dollar hands are destroyed, it is Doctor Gogol she turns to. Desperate to win the love of Yvonne, Gogol agrees to do the impossible. Stephen Orlac is saved...but only Gogol knows that his hands are no longer his own. They once belonged to a killer, and they want to kill again.
Lorre turns in yet another astonishing performance here; his Gogol is very convincing, quite capable of handling a few lines of cornball dialogue without seeming foolish in the least. And the sympathy he elicits is simply amazing; I found myself cheering for him the whole time instead of for Yvonne, who struck me as a cold, opportunistic gold digger, quite willing to use the Doctor if it served her purpose. I'm sure this was not the intent of the filmmakers, but Lorre emerges as the hero here, at least in my humble opinion. Toward the end of the film, he is completely unleashed, playing mad, wild music on the organ and donning a most hideous metal contraption which looks like something that H. R. Giger might have designed.
This beautiful black-and-white film by MGM rivals the classic monsters of Universal, and placed Peter Lorre alongside such horror movie icons as Bela Lugosi, Boris Karloff and Vincent Price. Reportedly, Lorre detested these horror film roles that made him famous, but his resentment never shows through; he threw himself into this and every role with creativity and zeal. He is truly marvelous to watch. Mad Love should not be missed by fans of old, spooky Gothic tales. It is a masterpiece.
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Dettagli
Botteghino
- Budget
- 257.502 USD (previsto)
- Tempo di esecuzione1 ora 8 minuti
- Colore
- Proporzioni
- 1.37 : 1
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