Casanova

CASANOVA is yet another one of those European silent films I had heard and read about but never had had the opportunity to watch until now. Until 21st century digital techniques came along, it would have been impossible to see the movie outside of La Cinematique Francaise and even then it wouldn't have looked as it does in this incredible restoration. Especially dazzling are the Venice Carnival sequences at the end of the movie which features the original hand stenciled colors which were preserved and enhanced. In addition, a brand new orchestral score has been commissioned for this release, composed by Gunther A. Buchwald, which admirably suits the action and contains traces of Monteverdi and Vivaldi.

The settings are sumptuous and the costumes are lavish so it's quite evident no expense was spared by the filmmakers in turning this story of the famous lover into a major epic. The scenes set in Saint Petersburg at the ascension of Catherine the Great are especially noteworthy and then there's the one and only Rudolf Klein-Rogge (METROPOLIS, DR MABUSE) as Catherine's husband, the mad Czar Peter III. Unfortunately in trying to create an epic CASANOVA, director Alexandre Volkoff allows certain scenes to go on for too long which caused my interest to lag from time to time. At 240 minutes this epic easily could have been a half-an-hour shorter.

Lead actor Ivan Mosjoukine, a Russian emigre' from the Russian Revolution like director Volkoff, had already made his mark in French cinema during the mid-1920s, having been the star of several films for their company Films Albatros. Several of those films can be found in an earlier Flicker Alley release from 2013 entitled FRENCH MASTERWORKS: RUSSIAN EMIGRES IN PARIS 1924-1929, a set that I can highly recommend. I also highly recommend CASANOVA for the sets, the costumes and the performances although, as mentioned earlier, the movie runs a bit long. Still it's a remarkable experience for fans of silent movies and deserves to be seen...For more reviews visit The Capsule Critic.