La madre

Pudovkin's Mother is a strong film that refused to be bound by the limitations of its time and should remain interesting to contemporary audiences. The plot of the film is simply outstanding. While some would say it was to be expected since the film is based off of a novel by Maxim Gorky, it should be noted that good source material does not guarantee cinematic success. The film follows a mother and her revolutionist son, Pavel, as they navigate a series of difficulties resulting from her son's allegiance.

With no speech, a major challenge for silent films is the creation of multidimensional characters. Pudovkin overcomes this challenge by being able to capture the emotions of the characters. I thought the mother, was exceptionally interesting. Her struggle did not only represent that of a loving mother, but also that of a movement. Pudovkin make great use of the camera, whether it was a side profile emphasizing the pensiveness of the character or a well-timed frontal close-up, he facilitates our ride on this emotional roller-coaster.

For the most part, I really enjoyed the pacing of the film. While the pacing did vary in tempo, it was always well within its own "groove." Even in the extremely exciting conclusion, one did not get to feel the extremely fast-paced tempo of a Battleship Potemkin, which I believe speaks to the differences between the directors. On that note, it was interesting to see how Pudovkin's use of montage differed. His cuts were far more gradual and subtle when compared to Eisenstein's in Battleship which contributed to the stability of the film.

All in all, Mother was a good watch and one of the stronger films that we have seen.