Ariel

2018
14min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Aggiungi una trama nella tua linguaA girl is born with wings. When Filip and Anna first realize that their newborn daughter is not like other children, they react in wildly opposing manners. Anna considers it a miracle, while... Leggi tuttoA girl is born with wings. When Filip and Anna first realize that their newborn daughter is not like other children, they react in wildly opposing manners. Anna considers it a miracle, while Filip sees it as a stigma. In order to survive as an adult, are we required to sever our ... Leggi tuttoA girl is born with wings. When Filip and Anna first realize that their newborn daughter is not like other children, they react in wildly opposing manners. Anna considers it a miracle, while Filip sees it as a stigma. In order to survive as an adult, are we required to sever our connection to the magical?

Regia
- Linus Tunström
Sceneggiatura
- Göran Tunström
- Linus Tunström
Star

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VALUTAZIONE IMDb

5,3/10

LA TUA VALUTAZIONE

Regia
- Linus Tunström
Sceneggiatura
- Göran Tunström
- Linus Tunström
Star

1Recensione degli utenti

Vedi le informazioni sulla produzione su IMDbPro

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Part of the "Bergman revisited" project by the Swedish Film Institute and SVT. Six filmmakers were chosen and invited to make 10-minute narrative films in the spirit of Ingmar Bergman. «Bergman revisited» including short films by Pernilla August and Cilla Naumann ("Scenes From the Night"), Linus Turnström("Ariel"), Jane Magnusson and Liv Strömquist ("Vox Lipoma"), Lisa Aschan and Isabel Cruz Liljegren ("God's Silence"), Patrik Eklund ("The Infection"), and Tomas Alfredson and Jesper Waldersten ("Bergman's Reliquarium").

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Recensione in evidenza

8/10

Nice in an annoying swedish kind of way

It is a good movie, and I liked watching it. I really did. But there is a but. This film is significant for the swedish political world view that the swedish movie business can't seem to get away from. At least when it comes to which filmes get exposed and which don't on the big screen. And that annoys me. Isn't it time to break some narrative rules? It's one thing to experiment with visualization, wich this film does really great, but really... isn't it time for us to get a little avantdardistic about the plot and stop being so careful?