VALUTAZIONE IMDb
7,5/10
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LA TUA VALUTAZIONE
Il filmato della telecamera di sicurezza di una festa di compleanno rivela gli eventi inspiegabili di una famiglia, una strana malattia e una misteriosa donna rosa che insegue la famiglia.Il filmato della telecamera di sicurezza di una festa di compleanno rivela gli eventi inspiegabili di una famiglia, una strana malattia e una misteriosa donna rosa che insegue la famiglia.Il filmato della telecamera di sicurezza di una festa di compleanno rivela gli eventi inspiegabili di una famiglia, una strana malattia e una misteriosa donna rosa che insegue la famiglia.
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Lo sapevi?
- QuizIn the hidden footage you can see the family eating clay, especially the father. This comes from the mad artist in the show watched by the grandmother, who claims that clay is the medicine of a disease. That's also the reason for the father's obsession with Southafrica, as there is a whole culture eating clay for health.
- ConnessioniReferenced in Neuropolitical Gas (2018)
Recensione in evidenza
I imagine that This House Has People In It could have been what might have occurred had David Lynch been given the keys to the Paranormal Activity franchise. What is going on here? Well, we have a suburban family, or seemingly normal, with a husband a wife a son a baby and a grandmother (and some guy fixing some pipes or something in the basement), and there's also what I think is the couple's teenage daughter laying face-down on the kitchen floor. And at first it seems like she's on the floor because... I'm not even sure, maybe passed out or drunk or on drugs or did something that is making the parents more annoyed than anything. But when the father comes over to move her, she... doesn't get it, she's just staying there. Is she dead? How? More to the point, she seems to be sinking into the floor....
The director Alan Resnick spends his 12 minutes going between about eight or nine different surveillance-style cameras laid all over this house (and one camera that gets close to the girl-on-the-floor's face, how exactly that's there I don't know, don't ask I guess), and while this manic and macabre mega-ultra-abyss-darkly comic set piece unfolds in the kitchen, the son is expecting some friends for a birthday party at this exact same time. The cutting between different perspectives makes for the real oddness of the whole piece; this aired on Adult Swim, which also put out a few years back "Too Many Cooks", and there's this aim from the studio to go for experimental cinema, things that we just don't see ANYWHERE else.
It would be one thing if the director had his characters explain things - why the girl's on the floor, why she's sinking, what the hell is the grandma doing watching strange things on TV with a guy saying how many times someone should say the word 's***' etc - but then it might ruin what is going on here actually, which is a vision of quickly deevolving hell. This is what happens when you look under the hood of a seemingly normal family and find something otherworldly, mysterious, maybe unholy(!) Or maybe it's just something weird for the sake of it and I'm being played for a fool. But I think it's daring and wonderfully bizarre, and to sustain that for 12 minutes and to make me want to watch it again to see what else I missed or didn't hear (the talking is not as clear as one might hear in a 'Paranormal Activity' movie, which makes sense), and that's something. Certainly not for ALL tastes.
The director Alan Resnick spends his 12 minutes going between about eight or nine different surveillance-style cameras laid all over this house (and one camera that gets close to the girl-on-the-floor's face, how exactly that's there I don't know, don't ask I guess), and while this manic and macabre mega-ultra-abyss-darkly comic set piece unfolds in the kitchen, the son is expecting some friends for a birthday party at this exact same time. The cutting between different perspectives makes for the real oddness of the whole piece; this aired on Adult Swim, which also put out a few years back "Too Many Cooks", and there's this aim from the studio to go for experimental cinema, things that we just don't see ANYWHERE else.
It would be one thing if the director had his characters explain things - why the girl's on the floor, why she's sinking, what the hell is the grandma doing watching strange things on TV with a guy saying how many times someone should say the word 's***' etc - but then it might ruin what is going on here actually, which is a vision of quickly deevolving hell. This is what happens when you look under the hood of a seemingly normal family and find something otherworldly, mysterious, maybe unholy(!) Or maybe it's just something weird for the sake of it and I'm being played for a fool. But I think it's daring and wonderfully bizarre, and to sustain that for 12 minutes and to make me want to watch it again to see what else I missed or didn't hear (the talking is not as clear as one might hear in a 'Paranormal Activity' movie, which makes sense), and that's something. Certainly not for ALL tastes.
- Quinoa1984
- 26 ott 2016
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