Il gigantesco Kong faccia a faccia con l'inarrestabile Godzilla. Il mondo si fa spettatore del combattimento che determina chi sarà il re di tutti i mostri.Il gigantesco Kong faccia a faccia con l'inarrestabile Godzilla. Il mondo si fa spettatore del combattimento che determina chi sarà il re di tutti i mostri.Il gigantesco Kong faccia a faccia con l'inarrestabile Godzilla. Il mondo si fa spettatore del combattimento che determina chi sarà il re di tutti i mostri.
- Premi
- 3 vittorie e 20 candidature
Trama
Lo sapevi?
- QuizWhen asked about the apparent height difference between Godzilla and Kong in 2018, Adam Wingard said "They gave us a good out in Kong: Skull Island (2017) when they mentioned that Kong is still growing, but that'll be a challenge we have to deal with, and we're very aware of that issue."
- BlooperLind sees the HEAVs for the first time just before the teams embark on them. In an hour he's suddenly able to pilot a HEAV and even let it explode on purpose.
- Citazioni
Bernie Hayes: You mean I gotta die with you SOBER?
- Curiosità sui creditiThe opening credits are a montage of Monarch records and monitors showing Godzilla and Kong's battles. All text on these documents are blacked out except for the names cast/crew members.
The montage ends with a zoom into the Earth, from which the title appears.
- ConnessioniFeatured in WatchMojo: Top 20 Greatest Movie Crossovers EVER (2021)
- Colonne sonoreOver the Mountain, Across the Sea
Written by Rex Garvin
Performed by Bobby Vinton
Courtesy of Epic Records
By arrangement with Sony Music Entertainment
Recensione in evidenza
We all know why we're here, don't we?
Of course - we want mindless destruction with awesome monsters and great visuals, and if it was only about that, this film deserves some praise, indeed. I very much liked the wrestling component of the fights, with some of the highlight moves being some of the most satisfying examples that ever graced the screen.
However, with all the monster madness there is something that most of these movies seem to get wrong almost every time: the overall plot and characters.
Now, I certainly don't expect grand drama and acting excellence from a flick like this, but GODZILLA VS. KONG is a remarkably bad example for both of these aspects. All characters were pretty bad, and the plot... oh boy.
Let me put it this way: when the movie is trying to be smart, it's pretty stupid. But when the movie is stupid, it's absolutely brainmeltingly stupid. The techno babble is annoyingly idiotic, down to a point where it completely took me out of the film, laughing hard at the audacity the writers had when typing these lines. The acting is at best alright, but Rebecca Hall's overacting and the astonishingly unlikeable attitude of Millie Bobby Brown's character ruined a lot of the already unbearably inept plot. Alexander Skarsgård's talent was pretty much wasted here, while all the others seem to come directly from that direct-to-video sequel to Roland Emmerich's Godzilla that never happened - for good reason.
All in all, I can only recommend this film if you're able to leave your brain far, far behind and to focus only on the action itself. This is basically a script from 1997, made with today's technical possibilities - a script that probably even Roland Emmerich might have thought was too stupid.
Also noteworthy: when the Tom Holkenborg score isn't the worst part of a movie, you know that something's off. Although, to be fair, this was actually a pretty decent score for our less talented Hans Zimmer clone.
Don't believe the hype though. Instead, get drunk before starting to watch this, and you might have a good time.
Of course - we want mindless destruction with awesome monsters and great visuals, and if it was only about that, this film deserves some praise, indeed. I very much liked the wrestling component of the fights, with some of the highlight moves being some of the most satisfying examples that ever graced the screen.
However, with all the monster madness there is something that most of these movies seem to get wrong almost every time: the overall plot and characters.
Now, I certainly don't expect grand drama and acting excellence from a flick like this, but GODZILLA VS. KONG is a remarkably bad example for both of these aspects. All characters were pretty bad, and the plot... oh boy.
Let me put it this way: when the movie is trying to be smart, it's pretty stupid. But when the movie is stupid, it's absolutely brainmeltingly stupid. The techno babble is annoyingly idiotic, down to a point where it completely took me out of the film, laughing hard at the audacity the writers had when typing these lines. The acting is at best alright, but Rebecca Hall's overacting and the astonishingly unlikeable attitude of Millie Bobby Brown's character ruined a lot of the already unbearably inept plot. Alexander Skarsgård's talent was pretty much wasted here, while all the others seem to come directly from that direct-to-video sequel to Roland Emmerich's Godzilla that never happened - for good reason.
All in all, I can only recommend this film if you're able to leave your brain far, far behind and to focus only on the action itself. This is basically a script from 1997, made with today's technical possibilities - a script that probably even Roland Emmerich might have thought was too stupid.
Also noteworthy: when the Tom Holkenborg score isn't the worst part of a movie, you know that something's off. Although, to be fair, this was actually a pretty decent score for our less talented Hans Zimmer clone.
Don't believe the hype though. Instead, get drunk before starting to watch this, and you might have a good time.
- IMDbKeepsDeletingMyReviews
- 27 gen 2022
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Godzilla Đại Chiến Kong
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 100.916.094 USD
- Fine settimana di apertura Stati Uniti e Canada
- 31.625.971 USD
- 4 apr 2021
- Lordo in tutto il mondo
- 470.116.094 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti