VALUTAZIONE IMDb
6,5/10
10.565
LA TUA VALUTAZIONE
Una dottoressa è ossessionata dalla morte di una donna, avendo saputo che è deceduta poco dopo aver bussato alla porta del suo studio per chiedere aiuto.Una dottoressa è ossessionata dalla morte di una donna, avendo saputo che è deceduta poco dopo aver bussato alla porta del suo studio per chiedere aiuto.Una dottoressa è ossessionata dalla morte di una donna, avendo saputo che è deceduta poco dopo aver bussato alla porta del suo studio per chiedere aiuto.
- Premi
- 2 vittorie e 7 candidature totali
Hassaba Halibi
- La mère d'Ilyas
- (as Hassiba Halabi)
Trama
Lo sapevi?
- QuizThe Dardennes revealed to Variety that they were planning to make this movie with Marion Cotillard as lead, but it didn't work out, so they decided to make Due giorni, una notte (2014) with her instead.
- Citazioni
Le père de Bryan: She doesn't care.
Le père de Bryan: She's dead.
Jenny Davin: If she was dead, she wouldn't be in our heads.
- Versioni alternativeAfter its poor reception at its Cannes Film Festival, the film was reedited to be 7 minutes shorter, with 32 changes to the film. This new version premiered a little over a month later, on June 30th 2016, at the Institut Lumière in Lyon, and is the version that was then shown in all subsequent releases and festival showings.
- Colonne sonoreBye bye docteur Jenny
Written by François Petit
Recensione in evidenza
A dead body near the riverbank. An inconclusive police investigation. A prostitution network, operating from a shady bar. It sounds like the classic ingredients for a Raymond Chandler crime story. In reality, it's the set-up for 'La Fille Inconnue', the latest film by the Belgian film makers Luc and Jean-Pierre Dardenne.
With this crime story, they explore a new genre. Usually, their films are social dramas about people on the fringes of society and their daily struggle for life. With this approach, they have made many very intense and moving films. But in my opinion, they were starting to repeat themselves. 'Deux Jours, Une Nuit', from 2014 was much acclaimed but overrated.
In many of their films, the plot development is secondary to the emotional power of the performances. Not so in 'La Fille Inconnue'. The plot is exciting and functional in carrying the story forward. The central character is a young doctor, who gets obsessed by a murder case because the victim rang her doorbell minutes before being killed. The doctor didn't answer the bell, and blames herself for it. She is determined to reveal the identity of the victim and starts an investigation of her own. Because she is a doctor, she is bound by an oath of silence and can't share her information with the police - a very clever script element. At the end, she manages to solve the crime. But at the same time, the truth confronts her with the fact that the victim would still be alive if she had opened the door.
Of course, this is not a classic crime thriller in the style of, let's say, Claude Chabrol. The Dardenne brothers remain true to their trademark hyper-realistic style and to their social conscience. The young doctor is treating poor, displaced, and lonely people. She herself is a solitary, business-like character. The film is set in the gritty industrial town of Seraing near Liège, the home base of the Dardennes. It's populated by working class people. They don't show emotions easily, and that goes for the doctor as well.
The crime element makes 'La Fille Inconnue' stand out in a positive way. It's one of the best films the Dardenne brothers have made in a long time. And it's definitely one of the best films coming out of Belgium this year. Never mind the lukewarm reception of this film in Cannes.
With this crime story, they explore a new genre. Usually, their films are social dramas about people on the fringes of society and their daily struggle for life. With this approach, they have made many very intense and moving films. But in my opinion, they were starting to repeat themselves. 'Deux Jours, Une Nuit', from 2014 was much acclaimed but overrated.
In many of their films, the plot development is secondary to the emotional power of the performances. Not so in 'La Fille Inconnue'. The plot is exciting and functional in carrying the story forward. The central character is a young doctor, who gets obsessed by a murder case because the victim rang her doorbell minutes before being killed. The doctor didn't answer the bell, and blames herself for it. She is determined to reveal the identity of the victim and starts an investigation of her own. Because she is a doctor, she is bound by an oath of silence and can't share her information with the police - a very clever script element. At the end, she manages to solve the crime. But at the same time, the truth confronts her with the fact that the victim would still be alive if she had opened the door.
Of course, this is not a classic crime thriller in the style of, let's say, Claude Chabrol. The Dardenne brothers remain true to their trademark hyper-realistic style and to their social conscience. The young doctor is treating poor, displaced, and lonely people. She herself is a solitary, business-like character. The film is set in the gritty industrial town of Seraing near Liège, the home base of the Dardennes. It's populated by working class people. They don't show emotions easily, and that goes for the doctor as well.
The crime element makes 'La Fille Inconnue' stand out in a positive way. It's one of the best films the Dardenne brothers have made in a long time. And it's definitely one of the best films coming out of Belgium this year. Never mind the lukewarm reception of this film in Cannes.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Unknown Girl
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.031.914 € (previsto)
- Lordo Stati Uniti e Canada
- 150.549 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.477 USD
- 10 set 2017
- Lordo in tutto il mondo
- 2.432.640 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Proporzioni
- 1.85 : 1
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