O Pátio das Cantigas

What a pleasant surprise... followed by absolute dismay. The film starts well indeed, photography is warm and inviting, and acting is accomplished. Some of the dialog is quirky, and you get a decidedly modern French (rather than old Portuguese) cinema feel. But then cracks start appearing in the canvas: certain character decisions seem to be outright obscure (why did Evaristo snap on Carlos after the party? How does Amália feel regarding, well, everyone else?) while others appear to no use at all (Oceana Balisio's character being the most obvious culprit). But the real clencher is the inordinate amount of scenes that seem to have been edited out for (I assume) brevity's sake, with complete disregard for cohesiveness or understandability. I won't elaborate so as to not give any spoilers but you will find them in the final third of the movie, a cardinal sin that leaves you with a bitter aftertaste when the credits roll. What a crying shame. 5/10