Caligula: The Ultimate Cut
- 2023
- 2 घं 58 मि
अपनी भाषा में प्लॉट जोड़ेंFollows Caligula as he kills his devious adoptive grandfather and takes control of the decadent Roman Empire, spiralling into depravity, devastation, and madness.Follows Caligula as he kills his devious adoptive grandfather and takes control of the decadent Roman Empire, spiralling into depravity, devastation, and madness.Follows Caligula as he kills his devious adoptive grandfather and takes control of the decadent Roman Empire, spiralling into depravity, devastation, and madness.
Malcolm McDowell
- Caligula
- (आर्काइव फ़ूटेज)
Helen Mirren
- Caesonia
- (आर्काइव फ़ूटेज)
Teresa Ann Savoy
- Drusilla
- (आर्काइव फ़ूटेज)
Peter O'Toole
- Tiberius
- (आर्काइव फ़ूटेज)
John Gielgud
- Nerva
- (आर्काइव फ़ूटेज)
Guido Mannari
- Macro
- (आर्काइव फ़ूटेज)
Giancarlo Badessi
- Claudius
- (आर्काइव फ़ूटेज)
Bruno Brive
- Gemellus
- (आर्काइव फ़ूटेज)
Adriana Asti
- Ennia
- (आर्काइव फ़ूटेज)
Leopoldo Trieste
- Charicles
- (आर्काइव फ़ूटेज)
Paolo Bonacelli
- Chaerea
- (आर्काइव फ़ूटेज)
John Steiner
- Longinus
- (आर्काइव फ़ूटेज)
Mirella D'Angelo
- Livia
- (आर्काइव फ़ूटेज)
Donato Placido
- Proculus
- (आर्काइव फ़ूटेज)
Osiride Pevarello
- Giant
- (आर्काइव फ़ूटेज)
John Francis Lane
- Major Domo
- (आर्काइव फ़ूटेज)
Eduardo Bergara Leumann
- Bergarius
- (आर्काइव फ़ूटेज)
Andrew Lord Miller
- Senator Acesius
- (आर्काइव फ़ूटेज)
कहानी
क्या आपको पता है
- ट्रिवियाThe film is a complete re-imagination of Caligula (1979), based on 96 hours of never-before-seen footage recovered many years after its release. Under the supervision of historian Thomas Negovan, an "Ultimate Cut" of the film was created. Instead of expanding existing scenes with the new footage, the entire film was edited from scratch, which resulted in a version that doesn't contain a single frame from the theatrical version. Visual effects were used to enhance scenes and replace cheap sets and backgrounds, and AI technology was used to restore previously unusable dialogue that was plagued with background noises. A new music score was composed as well, in contrast to the public domain ballet music. A limited theatrical release was planned in late 2020, but it was delayed due to legal difficulties, distribution issues and the Covid-19 pandemic. This version eventually premiered at the Cannes Film Festival in 2023, with high remarks by actors Malcolm McDowell (who previously had been ashamed by the film) and Dame Helen Mirren.
फीचर्ड रिव्यू
This is truly a lost opportunity. After a massive search, a film scholar tracked down all of the original film shot by director Tinto Brass, who is still alive, and he wante4d to work with Brass to finally make a director's cut.
Penthouse, which own the rights, changed management and the new management instead turned the footage over to some people with absolutely no background in film restoration. This new team said they wanted to restore the film to the intentions of Gore Vidal's script. The main problem with that is Tinto Brass was not filming Vidal's script as it was written, as he thought it was terrible. He and actor Malcolm McDowell reworked the script into something more of an art film.
The result of this restoration is that the scenes are finally in the right order but put together with with no sense of style or pacing. Tinto Brass envisioned lots of close up and fast editing, and completed about half of the film this way. Instead we get long takes that emphasize the lavish sets and obscure the action. It looks like a rough cut that is waiting for someone to add closeups and quicken the pace. A few individual scenes work much better in the original due to better editing.
Another drawback is the overly modern score, which doesn't reflect musical trends of the 1970s, when the film was shot.
On the plus side, all of the incongruous hardcore scenes shot by Penthouse chief Bob Guccione are gone. A more coherent performance by Malcolm McDowell can be seen, though at times some of the more manic takes might have worked better to emphasize his deteriorating mental state.
Penthouse, which own the rights, changed management and the new management instead turned the footage over to some people with absolutely no background in film restoration. This new team said they wanted to restore the film to the intentions of Gore Vidal's script. The main problem with that is Tinto Brass was not filming Vidal's script as it was written, as he thought it was terrible. He and actor Malcolm McDowell reworked the script into something more of an art film.
The result of this restoration is that the scenes are finally in the right order but put together with with no sense of style or pacing. Tinto Brass envisioned lots of close up and fast editing, and completed about half of the film this way. Instead we get long takes that emphasize the lavish sets and obscure the action. It looks like a rough cut that is waiting for someone to add closeups and quicken the pace. A few individual scenes work much better in the original due to better editing.
Another drawback is the overly modern score, which doesn't reflect musical trends of the 1970s, when the film was shot.
On the plus side, all of the incongruous hardcore scenes shot by Penthouse chief Bob Guccione are gone. A more coherent performance by Malcolm McDowell can be seen, though at times some of the more manic takes might have worked better to emphasize his deteriorating mental state.
- rayinprague-56814
- 8 अग॰ 2024
- परमालिंक
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- $30,815
- 18 अग॰ 2024
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