जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.
- पुरस्कार
- 14 जीत और 31 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाCharlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
- गूफ़In the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
- भाव
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.
- क्रेज़ी क्रेडिटNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
- इसके अलावा अन्य वर्जनThe director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
- कनेक्शनFeatured in Film '72: 19 फ़रवरी 2014 को प्रसारित एपिसोड (2014)
- साउंडट्रैकThe Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music
Volume 2 picks the story right from where Volume 1 signed off and continues Joe's retelling of her erotic endeavors to Seligman & how she ended up in his care. And, if the previous half of Nymph()maniac had Joe engaging in one sex session after another down to the point that it became repetitive & boring, then this half shows her sexual ventures going a little extreme as director Lars von Trier throws in sadomasochism & pedophilia into the tale to amplify its shock value but it actually ends up even more repulsive than it already was.
The story goes downhill from the already ineffective narration that was present in the previous part, the pace is still sluggish, some sequences are disturbing to watch while others are present just to stir more controversies or irk as many viewers as possible. The performances still don't carry any complains unlike the rest of this film's aspects although the characters continue to remain uninteresting like before. Charlotte Gainsbourg takes over the role of Joe from Stacy Martin in her stories & even Skarsgård gets to do more as Seligman than just be a listener to Joe's endless stories.
On an overall scale, the 2nd & final volume of Nymph()maniac has nothing to offer except for few appalling moments & more philosophical bullshit. What's even more absurd or idiotic is the resolution of the Skarsgård character, Seligman, who so far was being reflected as a wise, caring friend only for the film to throw away all that notion of friendship out the window in its final moments. All in all, there is nothing artistic about this pretentious crap & if one tries to approach it as a porn feature, then the overall experience is even worse. Avant-garde of filmmaking, my ass.
Full review at: cinemaclown.wordpress.com
- CinemaClown
- 12 मई 2014
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Ninfomanía (vol. 2)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,27,167
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $74,978
- 6 अप्रैल 2014
- दुनिया भर में सकल
- $49,34,965
- चलने की अवधि2 घंटे 4 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1