हम ग्रीस में नौ साल बाद जेसी और सेलीन से मिलते हैं। वियना जाने वाली उस ट्रेन में उनकी पहली बैठक के लगभग दो दशक बीत चुके हैं।हम ग्रीस में नौ साल बाद जेसी और सेलीन से मिलते हैं। वियना जाने वाली उस ट्रेन में उनकी पहली बैठक के लगभग दो दशक बीत चुके हैं।हम ग्रीस में नौ साल बाद जेसी और सेलीन से मिलते हैं। वियना जाने वाली उस ट्रेन में उनकी पहली बैठक के लगभग दो दशक बीत चुके हैं।
- 1 ऑस्कर के लिए नामांकित
- 20 जीत और कुल 63 नामांकन
Yiannis Papadopoulos
- Achilleas
- (as Yannis Papadopoulos)
Athina Rachel Tsangari
- Ariadni
- (as Athiná-Rachél Tsangári)
Yota Argyropoulou
- Hotel Clerk
- (as Giota Argyropoulou)
Tety Kalafati
- Air Stewardess
- (बिना क्रेडिट के)
John Sloss
- Airport Traveller in Opening Scene
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाEthan Hawke described Before Sunrise (1995) as a film about what might be, Before Sunset (2004) as a film about what could or should be, and Before Midnight (2013) as a film about what is.
- गूफ़When Jesse and Céline are in the hotel room arguing at a table, the camera operator is reflected in the framed picture on the wall.
- कनेक्शनFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- साउंडट्रैकGia ena tango
Written by Haris Alexiou (as Charis Alexiou)
Performed by Haris Alexiou (as Charis Alexiou)
Courtesy of Chamano Publishing
फीचर्ड रिव्यू
This is the worst of the 'Before' trilogy.
The movie is preachy to a tea with its dialogue which loses the natural charm of the first two movies. Everything feels scripted now, or at least most of the interactions do now.
The wide-eyed outing of the first movie is progressively turned more dour with each instalment, and this climax puts it to an insufferable degree. I wanted to turn it off at the 45-minute mark, but I stayed to see if there were any redeeming qualities to come - there weren't. The last 30-50 minutes of the film are nails on chalkboard levels of galling.
The unique, somewhat documentary, style of the first film and, to a lesser extent, its sequel, is almost entirely lost in this instalment. There is an impressive one shot of the family driving a car, that lasts for about 20 minutes, but the dialogue in the scene was many notches lesser than its predecessors.
This movie is a stream of negative stimuli - about the climate, about technology, about relationships, about inequality between the sexes; everything is negative. And the dialogue between characters and the inclusion of outlandish stories and statements that are supposed to ring true about the differences between men and women, just come off as incredibly sexist for both parties and incredibly forced. There is a story delivered by a side character that purports that men only care about their penis, while women care about everyone else first. Like seriously? That's not only a horrendous generalisation to attribute to men but also a statement that reinforces the gender roles of the female caregiver. And for a film that tries so hard and in your face with its feminist and 'women are oppressed' themes, that comes off as extremely paradoxical.
The only benefit that comes from finishing this movie is a series of warnings drilled into your head about how toxic generalisation thinking is and how resentful relationships can become if your view of the world is rooted in pessimism. Don't be like that - don't become these characters. And, don't think that getting older forces these negative changes. Watch the first film to be hopeful about the world and spontaneity; watch the second to learn things can seem rooted in place, but change can still happen; and ignore this film.
The movie is preachy to a tea with its dialogue which loses the natural charm of the first two movies. Everything feels scripted now, or at least most of the interactions do now.
The wide-eyed outing of the first movie is progressively turned more dour with each instalment, and this climax puts it to an insufferable degree. I wanted to turn it off at the 45-minute mark, but I stayed to see if there were any redeeming qualities to come - there weren't. The last 30-50 minutes of the film are nails on chalkboard levels of galling.
The unique, somewhat documentary, style of the first film and, to a lesser extent, its sequel, is almost entirely lost in this instalment. There is an impressive one shot of the family driving a car, that lasts for about 20 minutes, but the dialogue in the scene was many notches lesser than its predecessors.
This movie is a stream of negative stimuli - about the climate, about technology, about relationships, about inequality between the sexes; everything is negative. And the dialogue between characters and the inclusion of outlandish stories and statements that are supposed to ring true about the differences between men and women, just come off as incredibly sexist for both parties and incredibly forced. There is a story delivered by a side character that purports that men only care about their penis, while women care about everyone else first. Like seriously? That's not only a horrendous generalisation to attribute to men but also a statement that reinforces the gender roles of the female caregiver. And for a film that tries so hard and in your face with its feminist and 'women are oppressed' themes, that comes off as extremely paradoxical.
The only benefit that comes from finishing this movie is a series of warnings drilled into your head about how toxic generalisation thinking is and how resentful relationships can become if your view of the world is rooted in pessimism. Don't be like that - don't become these characters. And, don't think that getting older forces these negative changes. Watch the first film to be hopeful about the world and spontaneity; watch the second to learn things can seem rooted in place, but change can still happen; and ignore this film.
- lindsay_frazer
- 2 मार्च 2024
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Untitled Before Sunset Sequel
- फ़िल्माने की जगहें
- The Westin Resort Costa Navarino, Messinia, यूनान(hotel room scene)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- US और कनाडा में सकल
- $81,14,627
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,46,914
- 26 मई 2013
- दुनिया भर में सकल
- $2,07,05,582
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें