अपनी भाषा में प्लॉट जोड़ेंA documentary about legendary songwriter and 70's icon Paul Williams.A documentary about legendary songwriter and 70's icon Paul Williams.A documentary about legendary songwriter and 70's icon Paul Williams.
- पुरस्कार
- 4 कुल नामांकन
Warren Beatty
- Self
- (आर्काइव फ़ूटेज)
Robert Blake
- Self
- (आर्काइव फ़ूटेज)
Karen Carpenter
- Self
- (आर्काइव फ़ूटेज)
Richard Carpenter
- Self
- (आर्काइव फ़ूटेज)
Johnny Carson
- Self
- (आर्काइव फ़ूटेज)
Dick Clark
- Self
- (आर्काइव फ़ूटेज)
Angie Dickinson
- Self
- (आर्काइव फ़ूटेज)
Daryl Dragon
- Self
- (आर्काइव फ़ूटेज)
Kermit the Frog
- Self
- (आर्काइव फ़ूटेज)
Debbie Harry
- Self
- (आर्काइव फ़ूटेज)
Dustin Hoffman
- Self
- (आर्काइव फ़ूटेज)
Gabe Kaplan
- Self
- (आर्काइव फ़ूटेज)
Jack Klugman
- Self
- (आर्काइव फ़ूटेज)
Peter Lawford
- Self
- (आर्काइव फ़ूटेज)
Pat McCormick
- Self
- (आर्काइव फ़ूटेज)
Ed McMahon
- Self
- (आर्काइव फ़ूटेज)
Jason Mraz
- Self
- (आर्काइव फ़ूटेज)
कहानी
क्या आपको पता है
- कनेक्शनFeatures The Mike Douglas Show (1961)
- साउंडट्रैकStill Alive
Written & Performed by Paul Williams
फीचर्ड रिव्यू
This film is not a traditional biopic, but rather the director's recounting of the role Paul Williams has played throughout his life. How he remembers him from his youth, and how he figures into his current life. There are touches of Paul's early career and life, but the primary focus is on the friendship which grew between him and the director throughout the years of filming.
Stephen Kessler, a once hopeful, now floundering director, had been a fan of Williams' work growing up, but lost track of him somewhere around the early 80's. Much to his surprise, he found out that the entertainer was not dead, as he had long assumed, and was still making public appearances. He then went on a journey to discover where Paul had disappeared to for all those absent years.
The only flaw with this idea is that, for many of us, Paul never disappeared. Sure, his presence wasn't as strongly felt as it may have been a few decades ago, but even with his struggles with drug and alcohol abuse (now clean for 20 years), Paul was still making music and appearing in several films and TV shows. While I realize that Paul may have been flying under the radar for many, he was far from underground.
Kessler ignores these recent efforts, leaving blank Paul's creative history between 1980 and the late 2000s when he started filming this documentary. When asked during a Q&A following a screening of this film if he was still writing music, Paul lovingly jokes that he is and he thinks Kessler would have been happier to have found him living a trailer and eating out of trashcans, as it would have been better for his movie.
This film is not really one about Paul Williams, per se, it seems more about Kessler's search to find out something about his past, about his own slipping into obscurity, and the ways in which filming Paul transforms from an idea, to a crutch, to a renewed hope in his own career...and a friendship between the two.
While I feel like some discredit was done to Paul by lacking to mention the full spectrum of his work, I am glad to have a film that can renew interest in him and his many talents. The film is fully entertaining and Williams is delightful, albeit not quite the focus that the title might lead one to believe.
Stephen Kessler, a once hopeful, now floundering director, had been a fan of Williams' work growing up, but lost track of him somewhere around the early 80's. Much to his surprise, he found out that the entertainer was not dead, as he had long assumed, and was still making public appearances. He then went on a journey to discover where Paul had disappeared to for all those absent years.
The only flaw with this idea is that, for many of us, Paul never disappeared. Sure, his presence wasn't as strongly felt as it may have been a few decades ago, but even with his struggles with drug and alcohol abuse (now clean for 20 years), Paul was still making music and appearing in several films and TV shows. While I realize that Paul may have been flying under the radar for many, he was far from underground.
Kessler ignores these recent efforts, leaving blank Paul's creative history between 1980 and the late 2000s when he started filming this documentary. When asked during a Q&A following a screening of this film if he was still writing music, Paul lovingly jokes that he is and he thinks Kessler would have been happier to have found him living a trailer and eating out of trashcans, as it would have been better for his movie.
This film is not really one about Paul Williams, per se, it seems more about Kessler's search to find out something about his past, about his own slipping into obscurity, and the ways in which filming Paul transforms from an idea, to a crutch, to a renewed hope in his own career...and a friendship between the two.
While I feel like some discredit was done to Paul by lacking to mention the full spectrum of his work, I am glad to have a film that can renew interest in him and his many talents. The film is fully entertaining and Williams is delightful, albeit not quite the focus that the title might lead one to believe.
- obscuringrichie
- 28 मई 2012
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $38,691
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,116
- 10 जून 2012
- दुनिया भर में सकल
- $38,691
- चलने की अवधि1 घंटा 27 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was Paul Williams: Still Alive (2011) officially released in Canada in English?
जवाब