Just looking at the writer and director behind the camera both alumni of the USA series "The Dead Zone" (of which Anthony Micheal Hall was the star). I will admit, off the top, I was quite dismayed with how small Hall's part was.. but that is only a MINOR quibble and in no way detracts from the film, he's just an actor whom I'd like to see more of.
Writer Scott Lew may be known for the more off beat "Bickford Schmeckler's Cool Ideas".. I don't know what the reputation is among others, its one of those quirky little films you come to.. but considering they got a fantastic performance out of Matthew Lillard (which seems rare, until lately). I would give the movie and its casting good marks.
We come to this film. And the one thing I can say is to me it was overshadowed by the darker more grindhouse driven (but similar old friends meeting in a bar) film "Sushi Girl", if you haven't seen that film I would HIGHLY recommend it.. but to the task at hand.
Seth Green does NOT SUCK. Let's just get that out of the way.. He's quite good here, as is Michelle Trachtenberg and Harold Perrineau (from HBO's OZ). I wasn't bowled over by William Baldwin in the film, then we come to the icy "sexy evil genius" herself Katee Sackhoff best known for the "Battlestar Galactica" revamp.
The basic story.. 3 former lovers of the title character all meet in a bar after a message to meet her. What are her intentions? That's the gist, and what really propels the movie forward. While the BIG twist at the end wasn't all that big a shock, its a film that's interesting to see how it got to that end as the characters bounce off crazy stories, each one seeming to relate an almost entirely different person to the others before a singular version begins to kind of form together.. before it gets pulled out from under us again. The flick isn't high on the stylish look, but it serves the film well enough and the easy dialogue keeps the film moving pretty quickly.
I won't spoil the film, but I will say its definitely worth a watch.. but I would more recommend the similar (as I said) but harder edged "Sushi Girl".. or even the Ryan Reynolds thriller "Buried" films that take place in more or less a singular location through out the entire film. The film keeps your attention for the entire running time, and while not as polished or glossy as the average big budget film giving some bigger stars and a lil more tech this could easily be in the multiplexes. Don't let that stop you from enjoying the film.
