जब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण... सभी पढ़ेंजब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण दे देंगे लगता है।जब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण दे देंगे लगता है।
- 1 ऑस्कर के लिए नामांकित
- 11 जीत और कुल 57 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind जॉज़ (1975) and सेविंग प्राइवेट रायन (1998).
- गूफ़Parzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Monty Python and the Holy Grail (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- क्रेज़ी क्रेडिटThe title doesn't appear till about 10 minutes into the movie
- कनेक्शनFeatured in Kain's Quest: The Terminator (2017)
- साउंडट्रैकJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
फीचर्ड रिव्यू
Spielberg remains to this day one of the most misunderstood film-makers of his generation. He has been labeled both a peddler of popcorn and a saccharine manipulator (Those who say the latter have clearly forgotten Alex Kitner erupting in a geyser of blood in Jaws, exploding Nazi heads, the horrors of the Holocaust in Schindler and the river of corpses in War of the Worlds).
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
- DanielRobertRoss
- 20 मार्च 2018
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Ready Player One: comienza el juego
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $17,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,77,15,350
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,17,64,050
- 1 अप्रैल 2018
- दुनिया भर में सकल
- $60,78,74,422
- चलने की अवधि2 घंटे 20 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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