Django & Django

2021
1 घं 20 मि

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Quentin Tarantino and Sergio Corbucci in Django & Django (2021)

अपनी भाषा में प्लॉट जोड़ेंAn homage to Italian director Sergio Corbucci of the 1960s and contemporary director Quentin Tarantino, recounting a memorable period in Italian cinema with the sensibility of today.An homage to Italian director Sergio Corbucci of the 1960s and contemporary director Quentin Tarantino, recounting a memorable period in Italian cinema with the sensibility of today.An homage to Italian director Sergio Corbucci of the 1960s and contemporary director Quentin Tarantino, recounting a memorable period in Italian cinema with the sensibility of today.

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IMDb रेटिंग

6.9/10

1.7 हज़ार

आपकी रेटिंग

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पुरस्कार
- कुल 1 नामांकन

फ़ोटो5

टॉप कलाकार4

बदलाव करें

Sergio Corbucci

Self
(आर्काइव फ़ूटेज)

Ruggero Deodato

Self

Franco Nero

Self

Quentin Tarantino

Self

निर्देशक
- Luca Rea
लेखक
- Steve Della Casa
- Luca Rea
सभी कास्ट और क्रू
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कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
Quentin Tarantino's story about his fictional actor Rick Dalton thinking he would work for Sergio Leone and winding-up with Sergio Corbucci instead is actually the true story of (and what happened to) a young Burt Reynolds, when he wanted to follow in his friend Clint Eastwood's footsteps to work for Leone, and wound up with Carbucci doing Navajo Joe, a movie that "Rick" and Quentin reference as Burt wearing a wig and looking like Natalie Wood in the movie, and the movie not being good. Reynolds himself detested it.

भाव
Quentin Tarantino: Of all the great Western directors, Corbucci created the most pitiless West that there was. The most pitiless, the most pessimistic, the most surrealistically grotesque, the most violent.

उपयोगकर्ता समीक्षाएं8

समीक्षा करें

फीचर्ड रिव्यू

8/10

KInd of Odd Little Documentary

Or is t a mockumentary, not really sure with Tarentino's intro using his OUaTiH Rick Dalton backstory. Anyway, comes off as a good recap of Italian Spaghetti westerns, yes Corbucci is a real Director. Lots of clips, good for a laugh, and Tarentino does some kind of film school analysis of the deeper plotting and messaging. Makes one want to watch Minnesota Clay.