'Her Pen Pal' is the third of Hallmark's 2021 Summer Nights films, after the average 'You Had Me at Aloha' and the fairly lacklustre 'The Baker's Son'. The main reasons for seeing it was for Hallmark completest sake and also because of Paris, which is a wonderful city in locations and culture and memories of staying there are very fond (the humidity aside). Have not seen enough of the work of either Mallory Jansen and Joshua Sasse, but their performances were agreeable enough to convince me to see more.
As far as the 2021 Hallmark films go, 'Her Pen Pal' is not one of the best (one of the stronger winners being 'A New Year's Resolution'). It is also not one of the worst, like 'Beverly Hills Wedding'. It's one of the middle of the pack ones. It is to me one of the stronger faring Summer Nights entries, while it is miles away from being flawless it has its charm and is agreeable in quite a number of areas. So worth a watch, if not enough for repeat viewings.
There are many good things about 'Her Pen Pal'. A big star here is Paris itself, which is nothing short of stunning and like a character of its own. 'Her Pen Pal' also fares better than 'You Had Me at Aloha' at making the most of the cultural aspects of the locations, something that this did quite well without stereotyping. The music is not too intrusive or over-emphasised, it's not my definition of unforgettable but it is not at odds with anything.
Jansen and Sasse are both charming leads and their chemistry has genuine warmth and is not too rushed or aimless, though it could have been utilised more. The script is light-hearted on the most part and at least flows, complete with some amusing moments. Really liked Jansen's character, who is not too perfect or over the top negative, and appreciated her development and back-story, which is one of the more interesting and believable back-stories of the 2021 Hallmark films. The story has charm and doesn't take itself too seriously or too much of a joke.
Not everything works though. Jayne Weisener badly overacts her role, have never seen ditziness this exaggerated, and it comes over as really obnoxious. Both the performance and the character. Would have liked a lot more development to Sasse's character, the film did so well with Jansen's but Sasse's is incredibly one-dimensional and at best sketchy.
Moreover, there is some awkwardness and excessive cheese and the story has very little new, feels rushed at times and has a forced and too neat conclusion.
Overall, worth a look but not something that had me jumping out of my chair. 6/10.
