एक अंतरिक्ष यात्री मैट कोवाल्स्की और एक इंजीनियर डॉक्टर रयान स्टोन, एक साथ एक मिशन पर जाते है. हालांकि, जब वे उच्च गति वाले अंतरिक्ष मलबे से टकराते हैं, तब उन्हें साथ मिल्कर पृथ्वी पर लौटने ... सभी पढ़ेंएक अंतरिक्ष यात्री मैट कोवाल्स्की और एक इंजीनियर डॉक्टर रयान स्टोन, एक साथ एक मिशन पर जाते है. हालांकि, जब वे उच्च गति वाले अंतरिक्ष मलबे से टकराते हैं, तब उन्हें साथ मिल्कर पृथ्वी पर लौटने का रास्ता ढूंढना होगा.एक अंतरिक्ष यात्री मैट कोवाल्स्की और एक इंजीनियर डॉक्टर रयान स्टोन, एक साथ एक मिशन पर जाते है. हालांकि, जब वे उच्च गति वाले अंतरिक्ष मलबे से टकराते हैं, तब उन्हें साथ मिल्कर पृथ्वी पर लौटने का रास्ता ढूंढना होगा.
- 7 ऑस्कर जीते
- 240 जीत और कुल 187 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाThe film's cascade of debris is a very real possibility. This scenario is known as the Kessler syndrome, named after N.A.S.A. scientist Donald J. Kessler who first proposed the theory in 1978. A cascading Kessler syndrome involving an object the size of the International Space Station would trigger a catastrophic chain-reaction of debris. The orbiting debris field would make it impossible to launch space exploration missions or satellites for many decades.
- गूफ़When Kowalski asks Stone to let go of him because the rope will not hold them both, that could never happen because they are both in the same orbit around the earth. A short simple tug would have brought him back to her. Additionally, once they are drifting away from the ISS, disconnecting from Kowalski would not cause her to rebound back toward the ISS unless another force pulled her back in its direction. At most she would stop when the ropes reach the end of their slack, in which case Kowalsky would also have stopped.
- भाव
Matt Kowalski: Listen, do you wanna go back, or do you wanna stay here? I get it. It's nice up here. You can just shut down all the systems, turn out all the lights, and just close your eyes and tune out everyone. There's nobody up here that can hurt you. It's safe. I mean, what's the point of going on? What's the point of living? Your kid died. Doesn't get any rougher than that. But still, it's a matter of what you do now. If you decide to go, then you gotta just get on with it. Sit back, enjoy the ride. You gotta plant both your feet on the ground and start livin' life. Hey, Ryan? It's time to go home.
- क्रेज़ी क्रेडिटThe director thanks his mother during the end credits, in Spanish: "a mi mamá, gracias".
- कनेक्शनFeatured in Filmselskabet: एपिसोड #4.1 (2013)
Alfonso Cuaron is is an extremely talented director, all his films to date have proved that. 'Children of Men' is especially good and one of the best films of the decade, have always have had a huge soft spot for 'A Little Princess', 'Y Tu Mama Tambien' is not for everyone but for me it was a near-masterpiece, 'Prisoner of Azkaban' is one of the best directed films of the 'Harry Potter' franchise and as polarising as 'Gravity' is there is no denying that Cuaron's direction and the visuals were exceptional. 'Gravity' may be my second least favourite film of his, with 'Prisoner of Azaban', still very good, faring least, this is saying little and is testament to Cuaron's talent.
'Gravity' does fall short of perfection. Its weak spot is the script, it does tend to ramble, feel manufactured and cheesy and doesn't do an awful lot to make the characters more than mere clichés. The story doesn't always grip with a few slow, dull spots, and the ending puzzles.
However, as said already in this review and by previous reviews (acknowledged in most less than positive postings, 'Gravity' is a triumph visually and technically. The cinematography is tremendous, quite possibly the most beautiful and best shot film of 2013. The setting is striking and the special effects are a marvel. Cuaron's direction is exceptional, some of the best he has ever done, a master of visuals and mood.
With that being said, 'Gravity' has much more to it than the visuals and direction. The music is an incredible fit, it's haunting, sweeping and breathtakingly beautiful. A good deal of the story is gripping, with intimacy, tension and great emotional impact.
Sandra Bullock gives one of her finest performances here and gives the film a certain grace, while George Clooney has a cool calmness that fits his role perfectly. Ed Harris is also impressive.
Overall, an achievement visually, technically and directorially, but despite its faults 'Gravity' is much more than those things. 8/10 Bethany Cox
- TheLittleSongbird
- 7 जून 2017
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Gravedad
- फ़िल्माने की जगहें
- Space(Earth's orbit)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $27,40,92,705
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,57,85,112
- 6 अक्तू॰ 2013
- दुनिया भर में सकल
- $72,37,19,539
- चलने की अवधि1 घंटा 31 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1