Hell, I'm getting addicted to these Sci-fi original productions showing on cable, but boy there are some stinkers amongst the charmers and sadly 'Monster Ark' is a dud. The premise actually sounded tolerant, but what came of it was not. After a somewhat imaginative opening, it becomes your stock-like monster on the rampage yarn leaving a small group of people to stop the problem. Its biblical horror set in a war-torn Iraq. When I mean biblical, it's the context of the film, and the sub-plot between the two main leads and that of religious faith. One who questions it and the other who does not. Where love and redemption wins out
lovely. And to set in Iraq
what an inspired choice
meh.
Archaeologist Nicholas Zavaterro along with his grad students discover a vase with an ancient manuscript informing them of the whereabouts of Noah's first ark that imprisoned a monster known as the darkness. Zavaterro, his grad students and his ex-wife/archaeologist head to Iraq to where it is. Along with some babysitting American Soldiers they discover the ark and find a crate which they obviously open and unleash the darkness.
Actually outlining the premise is really starting to bore, and when the darkness is released it's an unconvincing monster (an awful looking design
leftovers from a video game?) in clunky CGI breaking out total chaos. Rather unexciting chaos though. Jittery editing and shaky camera-work is plain tiring, as it sloppily moves. But the damaging aspect is the very dodgy script with its preachy/forceful messages
it was like a bad tooth ache. A towering Tommy 'Tiny' Lister's Sergeant character gave me a good laugh though, as he truly chew up his lines (enthusiastically) and then spits them out. Renée O'Connor was an itch that wouldn't go away and Tim DeKay is typically modest. Amanda Crew is wasted in a low-key role as one of the students. One thing, why does everybody have to yell out their lines? Declan O'Brien's direction is slick, but feels empty and goes for clichéd devices. Claude Foisy's eerily rippling score on the other hand was perfectly balanced and infused in to the film.
Lame, tacky and a drag. Simple as that.
