एक कैथोलिक स्कूल का प्रिंसिपल एक परेशान युवा छात्रा और एक पुजारी के साथ उसके संदिग्ध रिश्ते पर सवाल उठाता है.एक कैथोलिक स्कूल का प्रिंसिपल एक परेशान युवा छात्रा और एक पुजारी के साथ उसके संदिग्ध रिश्ते पर सवाल उठाता है.एक कैथोलिक स्कूल का प्रिंसिपल एक परेशान युवा छात्रा और एक पुजारी के साथ उसके संदिग्ध रिश्ते पर सवाल उठाता है.
- 5 ऑस्कर के लिए नामांकित
- 25 जीत और कुल 97 नामांकन
Joseph Foster
- Donald Miller
- (as Joseph Foster II)
कहानी
क्या आपको पता है
- ट्रिवियाPhilip Seymour Hoffman lobbied for Amy Adams to be a part of the movie, even threatening to leave the project if she wasn't cast.
- गूफ़The classroom door opens inward. Ever since the 1908 Collinwood school fire in Cleveland, laws have required classroom doors to open outward. It was initially believed that the panicking children pushed against the doors, which prevented escape from the fire and resulted in 172 deaths. However, later investigations proved that the doors did in fact open outward. The school was rebuilt and renamed Memorial school. It's surrounded by gardens in memory of the children who died there.
- भाव
Father Brendan Flynn: Doubt can be a bond as powerful and sustaining as certainty. When you are lost, you are not alone.
- कनेक्शनFeatured in The 14th Annual Critics' Choice Awards (2009)
- साउंडट्रैकReginella Campagnola
Written by Eldo Di Lazzaro, Bruno Cherubini (as C. Bruno)
फीचर्ड रिव्यू
I'm not going to give a long or exhaustive review. A bazillion others have and the movie was released over a year ago--so my giving any sort of in-depth analysis is just needless repetition.
The movie's biggest strength is the acting. All three leading actors did a fine job and this was necessary to carry a film that has no special effects, explosions or love scenes. The vagueness of the film is also a strength. After all, the film gets you thinking and yet there is definitely no clear-cut answer as to what really occurred in the film. There is lots of room to foster discussions and debate. And, while I am a strongly opinionated person, I wouldn't have changed much of the film at all--except the very, very end when Meryl Streep's character, for the first and only time, shows some doubt and emotion. This just didn't seem true to her character. Still, this is a minor concern--and who am I to say, since I didn't win the Pulitzer Prize (last time I checked)! Some may hate the vagueness and want a very clear explanation as to what, exactly, the Father did--if anything. Some may hate that the film actually isn't vague enough (I slightly tend towards that). But what I love about all this is that so many different people see so many different things--mostly based on their own prior experiences and expectations. I could easily see someone seeing gay issues, pedophilia (and it's talked ABOUT but never even explicitly said) or a thousand other possibilities--or it could simply be a metaphor for McCarthyism. Who knows? And that makes the film so interesting.
The movie's biggest strength is the acting. All three leading actors did a fine job and this was necessary to carry a film that has no special effects, explosions or love scenes. The vagueness of the film is also a strength. After all, the film gets you thinking and yet there is definitely no clear-cut answer as to what really occurred in the film. There is lots of room to foster discussions and debate. And, while I am a strongly opinionated person, I wouldn't have changed much of the film at all--except the very, very end when Meryl Streep's character, for the first and only time, shows some doubt and emotion. This just didn't seem true to her character. Still, this is a minor concern--and who am I to say, since I didn't win the Pulitzer Prize (last time I checked)! Some may hate the vagueness and want a very clear explanation as to what, exactly, the Father did--if anything. Some may hate that the film actually isn't vague enough (I slightly tend towards that). But what I love about all this is that so many different people see so many different things--mostly based on their own prior experiences and expectations. I could easily see someone seeing gay issues, pedophilia (and it's talked ABOUT but never even explicitly said) or a thousand other possibilities--or it could simply be a metaphor for McCarthyism. Who knows? And that makes the film so interesting.
- planktonrules
- 20 नव॰ 2009
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Ngờ Vực
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,34,46,470
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,07,226
- 14 दिस॰ 2008
- दुनिया भर में सकल
- $5,16,99,984
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें