अपनी भाषा में प्लॉट जोड़ेंBased on the rise and fall of socialite Edie Sedgwick, concentrating on her relationships with Andy Warhol and a folk singer.Based on the rise and fall of socialite Edie Sedgwick, concentrating on her relationships with Andy Warhol and a folk singer.Based on the rise and fall of socialite Edie Sedgwick, concentrating on her relationships with Andy Warhol and a folk singer.
- पुरस्कार
- कुल 1 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाSienna Miller improvised the scene in which Edie tells The Musician about her brothers' deaths.
- गूफ़Edie Sedgwick's relationship to Nico is depicted incorrectly: in reality they were friends and Edie warned Nico about Andy Warhol's behavior. Edie's death was very sad for Nico.
- भाव
Andy Warhol: I wonder if people are going to remember us?
Edie Sedgwick: What, when we're dead?
Andy Warhol: Yeah.
Edie Sedgwick: Well, I think people will talk about how you changed the world.
Andy Warhol: I wonder what they'll say about you... in your obituary. I like that word.
Edie Sedgwick: Nothing nice, I don't think.
Andy Warhol: No no, come on. They'd say, "Edith Minturn Sedgwick: beautiful artist and actress...
Edie Sedgwick: ...and all-around loon.
Andy Warhol: ...Remembered for setting the world on fire...
Edie Sedgwick: ...and escaping the clutches of her terrifying family...
Andy Warhol: ...Made friends with eeeeverybody and anybody...
Edie Sedgwick: ...creating chaos and uproar wherever she went. Divorced as many times as she married, she leaves only good wishes behind.
[laughs]
Edie Sedgwick: That's nice, isn't it?
- क्रेज़ी क्रेडिटDuring the first part of the end credits, photos are shown of the real Edie Sedgwick. Also people who knew her give testimonies about her.
- इसके अलावा अन्य वर्जनAccording to the FAQ section: "For the home theatre market, an unrated version was released aside from the R-rated theatrical version. Most scenes which were re-inserted or alternately shifted, serve to specify character drawings and various aspects of the story which were only embedded in the theatrical version to some extent. However, there are also a few extensions with sexual contents and more explicit depictions of drug use."
- साउंडट्रैकDino's Song
Written by Chet Powers (uncredited)
Performed by Quicksilver Messenger Service
Courtesy of Capitol Records
Under License from EMI Film & Television Music
Just in case you read some of the rather hysterical comments and garner the impression that it's supposed to be about real people, it's not. Andy Warhol was never a real person, just a performance.
Guy Pearce presents Andy Warhol as the superficial creature he undoubtedly was. The original art-as-business creator, the very God at whose altar such modern day charlatans as Damien Hirst worship. Pearce's performance is riveting, his Andy Warhol is as empty as his crapulous art; just a two-dimensional diagram of someone who leaves no shadow. A cartoon.
Sienna Miller's performance as Edie Sedgewick is the best thing she's ever done. Caught in the strobe lights of Warhol's strangely sterile world of non-sexual sex and sofas still in their plastic wrappers, Edie becomes the focus of his short attention span for a while. She flashes across the screen like a speeded up Holly Golighty, while Warhol's voyeuristic viewfinder traps her in it's leering stare. The camera loves her and so does Warhol. But we know it's going to end in tears.
Nothing in the movie has much depth, none of the characters are developed beyond what we already know about them and the whole sixties New York scene is represented by a series of iconic "things". The Chelsea Hotel, the Velvet Underground, a soundtrack of songs that sound right but which actually don't fit at all. For instance, "Leavin' here" by The Birds, a British group in which Ronnie Wood was the guitarist, was recorded in 1966 but was never released in America. However, there it is on the soundtrack being played in the factory sometime in 1965.
But no matter.
The movie pretty much captures the shallow, transient and utterly facile world of Warhol in the sixties and in another way it sums up the emptiness and tragedy of the Hollywood dream machine too. But it doesn't ask any deep questions nor does it pretend to be something it's not. It's entertaining and worth watching for two very good performances by Guy Pearce and Sienna Miller.
It's not art, it's just a movie, albeit a superficial one.
- terraplane
- 19 अग॰ 2009
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Fábrica de sueños
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $70,00,000(अनुमानित)
- US और कनाडा में सकल
- $16,75,241
- दुनिया भर में सकल
- $35,72,632
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1